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- Kilos SAMBAYANAN (Kilos para sa Sampung Batayang Pangangailangan)
- Ang Huling Nazareno (Eli Eli Lama Sabachthani), short film
- Only Women Bleed 2, Eksibit at Pagtatanghal Laban sa Karahasan
- Bai, Bayan, Kalikasan: A Group Exhibit by Women Artists
- Only Women Bleed 2, Exhibit Opening
- FILM REVIEW Alamat ng Hustisya sa Tu Pug Imatuy (The Right to Kill)
- Only Women Bleed 2, an All-Women Painting Exhibit
- Karnabal Festival 2016 – IDEA Exchange Platform
- Senate Bill 2208: An Act Creating the Department of Culture
- Artists’ Welfare Project: On Taxation, Legal Obligation and Financial Literacy
- Artists Welfare Project: Art & Fashion Fair + Membership + Social Welfare
- Art + Environment: Artists Converge in Project Bakawan Arts Festival 2015
- Ateneo School of Humanities presents Alipin, a thesis play by Ariane Lim
- 2015 Euro-Pinoy Jazz Concert at Tiendesitas and Intramuros on Feb. 20 – 21
- Dulaang UP Stages Bilanggo ng Pag-ibig, based on Jean Genet’s Prisoner of Love
- KADAMAY with Urban Poor Resource Center of the Philippines restages Nanay Mameng
- Ten Things about Dulaang UP’s Production of The Country Wife / Ang Misis kong Promdi
- FILM REVIEW Mula sa Kung Ano ang Noon (From What is Before): Ganun pa rin Ngayon
- Ipagdiwang! UP Diliman Tribute to National Artists for Music Ramon Santos and Francisco Feliciano
- DROP THE CHARGES NOW AGAINST GENASQUE ENRIQUEZ, Indigenous People’s Rights Defender
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Tag Archives: Abraham Abdullah
FILM REVIEW Mula sa Kung Ano ang Noon (From What is Before): Ganun pa rin Ngayon
Inilathala rin sa Pinoyweekly.org Kapirasong kasaysayan mula sa alaala ng mga misteryo at histerya sa nayon sa panahong niluluto ng Rehimeng Ferdinand Marcos ang Batas Militar. Mga simbolikong larawang bukas sa maraming pagtuklas at pag-unawa. Ito ang mga ibinahagi ni … Continue reading →
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Tagged Abraham Abdullah, Amado Guerrero, Asian cinema, autism, Bambi Beltran, Batangas, batas militar, Bureau of Health, CAFGU, Catholic, CHDF, Ching Valdes-Aran, Civilian Home Defense Forces, clearing operation, covert operation, Crisostomo Ibarra, Culion Island, dekada 70, Demokratikong Rebolusyong Bayan, desaparesidos, dictatorship, DOH, epiko, Evelyn Vargas, facism, FDCP, Filim Development Council of the Philippines, Filipino-Swiss, film criticism, film verite, Fragments of a Nightmare, From What is Before, Golden Leopard Award, hacienda system, hacking of cows, Hazel Orencio, human rights, Ian Lomongo, independent film, intelligence work, Islam, Joel Saracho, kapre, karapatang pantao, Karenina Haniel, Kris Aquino, Kristine Kintana, Lamlaman, leper colony, Locarno International Film Festival, Lumad, Luzon, Madonna, Maguindanao chant, Maguindanao ritual, Mailes Kanapi, Malay ritual, Marcos ill-gotten wealth, martial law, memory film, Mindanao, Mula sa Kung Ano ang Noon, mysticism, national democracy, NCCA, nostalgia in film, NPA, Palawan, pambansang demokrasya, Pang. Corazon Aquino, paniniktik, para-militar, pasismo, peace and order, peace based on justice, Perry Dizon, Philippine Cinema, Philippine epic, Philippine history, Philippines, Pilipinas, Pinoyweekly, political killings, Pres. Ferdinand Marcos, Pres. Fidel Ramos, PWDs, revolutionary justice, Reynan Abcede, Roeder Camanag, slow cinema, supernatural, Swiss Bank, Switzerland, symbolism in film, Teng Mangansakan, violence studies, Visayas, war, wild dove
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