Joanna Lerio
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Tag Archives: Ballpoint Pen
Philippine Contemporary Art Fair 2013 Random Favorites
I think I was not able to see all of the works exhibited by 24 galleries and art groups at the art fair held at The Link, Parkway Drive, Ayala Center, Makati City from February 7-10, 2013. Nevertheless, I post here my random … Continue reading →
Posted in Teatro
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Tagged 1335 Mabini, Acrylic paint, agricultural tools, anti-imperialist art, Antipas Delotavo, Art, Art in Motion, Arturo Sanchez Jr., Asian art, Ayala Center, Baen, Bajau, Ballpoint Pen, bamboo, Bembol dela Cruz, bicycle repetition, Botong, bulol, CANVAS, children at war, children’s art, Collage, Contemporary art, Crucifixation, crucifixion, dancer sculpture, Daniel dela Cruz, Demetrio dela Cruz, Dream Awakening, Erotic art, Evrybody's Changing, Ferdinand Montemayor, fine arts, Gorgon, graffiti, Gypsy, Habitus, humantities, Iggy Rodriguez, J. Elizalde Navarro, Jesus Christ sculpture, Kawayan sculpture, Lj Abiola, Louie Cordero, Machismo, Makati City, manila art fair, Mark Justiniani, Mark Valenzuela, Martin Honasan, Mimefield, Mixed media, national artist, Neo Anggono Artists Collective, Ninel Constantino, nostalgia, optical illusion, Pablo Baen Santos, Paint, Parkway Drive, Philippine anthropology, Philippine art history, Philippine contemporary art fair, Philippines, plastic, plastic bulol, proletarian art, purging, Reflective Media, Renato Barja Jr., Roberto Robles, Ronald Ventura, Santo Niño, sex and violence, sining, Skull, Snow White Rebel, socio-realistic art, terrorism, The Link, Unearth, urban isolation, visual art, Winner Jumalon, Wood-fired Stoneware Installation, yoga pose
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