Joanna Lerio
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Tag Archives: Batangas
Toppling Down the Doñas: Scenes from Sinagbayan Lakbay Sining 2013
‘Ako si Paeng’ Carabao Pose. Children of Bulacan imitate their best-friend Paeng, a carabao donated to their community by Anakpawis Partylist office of Rep. Rafael Paeng Mariano. From Caloocan, Dalandanan in Tungkong Mangga, San Jose del Monte, Bulacan lies just … Continue reading
Posted in Advocacy, Awit at Musika, Palihan, Teatro
Tagged Advocacy Theater, agricultural revolution, agriculture, Anakpawis, Anakpawis Partylist, anino, Araneta, Araneta Avenue, Araneta Clubhouse, Araneta Coliseum, Araneta family, Art for the People, Asian agriculture, Asian music, Asian theater, Batangas, Binangonan, Bulacan, Calatagan, Caloocan, CARP, Central Luzon, children's theater, Cubao, cultural revolution, cultural work, Dalandanan, Fairview, GARB, Gateway, Gawad Kalinga, gawaing pangkultura, Gregorio Araneta, Hacienda Araneta, Hacienda Luisita, HB 3059, House Bill 3059, housing problem, human rights violation, ILPS, karapatang pantao, karilyo, Lakbay Sining, land problem, landgrabbing, magsasaka, Manila, mendiola massacre, Metro Manila, MRT 7, National Housing Authority, NHA, October lakbayan, organic farming, PAMALAKAYA, PAN-AP, peasant youth, people's art, Philippine Election 2010, Philippines, pocket demolition, Political Theater, politics of change, Pres. Benigno Aquino III, protest art, protest music, protest theater, Quezon City Office of Urban Planning, rebolusyong agraryo, Rep. Rafael Paeng Mariano, Rizal, Robert Cing, rural poor, Samahang Magsasaka sa Dalandanan, San Jose del Monte, shadow play, SIBAT, SINAGBAYAN, social change, Talim Island, Tarlac, tunay na pagbabago, Tungkong Mangga, urban poor, voter’s education
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Pitong Sundang: Ang Magsasaka Bilang Napapanahong Bida
Review of Pitong Sundang Tanghal 7 Entry Buong malay na isinatauhan ang konspetong ito sa Pitong Sundang: Sayaw sa Lupa at Pakikibaka, isang sayaw-dulang produksyon ng pangkulturang organisasyong SINAGBAYAN (Sining na Naglilingkod sa Bayan) kung saan tampok ang tula nina Ericson … Continue reading
Posted in Rebyu, Teatro
Tagged AFP, agrarian reform, agrarian revolution, Alan Jazminez, Alay Sining, Anakpawis Partylist, ancestral domain, Anglo-American, animation, Asian theater, balang, Batangas, BHP Billiton, Bondoc Peninsula, bukang-liwayway, Bulwagang Balagtas, CARP, cheap-labor factory zones, classical ballet, colonization, Comprehensive Agrarian Reform Program, contemporary dance, CSWCD, daga, dam, delubyo, dislocation, dream sequence, encomienda system, epic, Ericson Acosta, feudal system, feudalism, food security, Free Ericson Acosta Campaign, GARB, Genuine Agrarian Reform Bill, golden kuhol, Hacienda Looc, Hacienda Luisita, hacienda system, Holy Family, Hongkong Baptist University, House Bill 3059, human rights violations, hunger, Iggy Rodriguez, Igorot, indigenous people, intellectuals, Jewel Maranan, journey, Katch Catoy, Lafayette, land reform, large-scale mining, leech, linta, Lumad, lupa, MassCom Media Center, mercenary tradition, Metro Manila, Moro, Morong 43, Muslim, National Commission for Culture and the Arts, national democracy, National University Theater Festival, NCCA, NCIP, OceanaGold, olf course, open forum, oplan bayanihan, party pilipinas, patrimony, peasant arts, peasantry, performance art, Phelps Dodge (US), Philippine theater, Philippines, piketlayn, pitong sundang, Pitong Sundang dance theater, pocket demolition, Poldet: Panata sa Kalayaan ng mga Detenido Pulitikal, political detainees, political prisoners, Political Theater, poverty, Pres. Benigno Aquino III, prologue, protest theater, PUP Sta. Mesa, Quezon, Raquel de Loyola, reality tv, Reuel Aguila, Review of Pitong Sundang, rice rat, Samar, SINAGBAYAN, St Exposure, Standard Hindi, struggle for land, subdivision, Sumitomo, surreal theater, Talahib, Tandang Sora Hall, Tanghal 7, Tanghal 7 NCR, Tarlac, torture, United States, University of the Philippines Diliman, USA Liberty, virtual reality, welga, World Trade Organization, Xstrata (UK), youth sector
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EQUITOUR: Performance Art Talk with Sheiji Shimoda
Photos taken during Seiji Shimoda’s talk at 98B Art Collaboratory, Escolta Street, Manila organized by TAMA Tupada Action and Media Art, August 26, 2012. Photos by Emily Lerio. Nippon International Performance Art Festival (NIPAF) director Seiji Shimoda is in the country for … Continue reading
Posted in Biswal, Teatro
Tagged 98B, Artur Tajber, Batangas, Collaboratory, Cyril Lepetit, Equitour, Escolta, Esther Ferrer, Giovanni Fontana, interdisciplinary study, Japan, Jerzy Bereś, Lipa City, Manila, Nippon International Performance Art Festival, performance art, performance study, Performing Arts, Seiji Shimoda, TAMA Tupada Action and Media Art, theater study, Theatre
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Insomniya ng Paggawa: Review of We Do Not Sleep: The Insomniacs
Konsepto at Direksyon: Pat Valera at BJ Crisostomo Itinanghal ng TAYO sa Dance Forum, West Avenue, Quezon City It is three in the morning. You cannot sleep. You are bothered by the fact that almost seven billion people exist now. … Continue reading
Posted in Rebyu, Teatro
Tagged Art, Batangas, Cavite, China, dula, Facebook, Friendster, karapatang pantao, labor, Marx, poverty, Quezon City, theater
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