Joanna Lerio
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Tag Archives: Biboy Delotavo
ReCollection 1081: Clear and Present Danger (Visual Dissent on Martial Rule)
July 14-September 30, 2012 at CCP Bulwagang Juan Luna (Main Gallery) and Pasilyo Guillermo Tolentino (3/F Hallway) Organized by Center for Art, New ventures and Sustainable Development (CANVAS), Cultural Center of the Philippines and Liongoren Gallery with the support of … Continue reading →
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Tagged 1984 election, Agta, Al Manrique, Alfredo Liongoren, Alice Guillermo, Ang Kiukok, Anna Fer, Antipas Delotavo, Aster Tecson, Bantayog ng mga Bayani Foundation, BenCab, Benjie Torrada Cabrera, Biboy Delotavo, Brenda Fajardo, CANVAS, CCP, Charlie Co, Clear and Present Danger, coco levy, CPP, Cultural Center of the Philippines, Danding Cojuangco, Dumagat, Edgar Talusan Fernandez, Edicio de la Torre, Eghai Roxas, election-related violence, Enrile, Ferdinand Marcos, Gene de Loyola, Guillermo Tolentino, Heber Bartolome, human rights violation, Imelda Cajipe Endaya, Imelda Marcos, Inang Bayan, indigenous people, Ink, Jaime de Guzman, José Tence Ruiz, Jose Valerio, Juan Luna, Junyee, KARAPATAN, karet, Katribu, katutubong Pilipino, krus, Liongoren Gallery, Manny Garibay, Manuel Buncio Collection, Manuel Pañares, martial law, national democracy, Neil Doloricon, Nunelucio Alvardo, Ofelia Gelvezon-Tequi, Onib Olmedo, Orlando Castillo, Pablo Baens Santos, Palawan, Papo de Asis, PD 1081, Pen, Philippine, Phyllis Zaballero, Pioneer Insurance, Proclamation 1081, protest art, Renato Habulan, revolutionary art, Ruben de Vera, Santiago Rose, US Bases, US Nuclear Weapon, Ver, Virgilio Aviado, Who Magazine
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