Joanna Lerio
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Tag Archives: Carlo Pagunaling
Dulaang UP Stages Bilanggo ng Pag-ibig, based on Jean Genet’s Prisoner of Love
A Dulaang UP Production Script by Rody Vera based on Jean Genet’s self memoir Un Captif Amoreux (Prisoner of Love) Direction by Jose Estrella February 11 – March 1, 2015 at Wilfrido Ma. Guerrero Theater, Palma Hall, University of the Philippines Diliman … Continue reading →
Posted in Pagtatanghal
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Tagged Absurd Play, Asian theater, Barbara Tan-Tiongco, Bilanggo ng pag-ibig, Brian Sy, Carlo Pagunaling, Dolly de Leon, Dulaang UP, Dulaang UP Ensemble, Ed Lacson, french playwright, J. Victor Villareal, JC Santos, Jean Genet, JM Cabling, Jojo Cayabyab, Jomel Reyes, Jon Lazam, Jose Estrella, Lex Marcos, Melvin Lee, Miela Sayo, Norbs Portales, Palestine War, Paul Cedrick Juan, Peewee O’Hara, Philippine theater, Rody Vera, Sigmund Pecho, Silvester Bagadiong, Tarek El Tayech, Tess Jamias, UP Diliman, Virgilio Balanon, Wilfrido Ma. Guerrero Theater
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Theater Review: Kung bakit Hit ang Rak of Aegis sa Gitna ng Pagbabakasakali’t Hagupit
Inilathala din sa Pinoyweekly.org Liban sa paghatid ng lumang awit at musika sa bagong-dagdag na kiliti nito, walang kinalaman ang dulang Rak of Aegis sa buhay ng bandang Aegis. Wala rin itong kinalaman sa musikal na Rock of Ages (Chris D’Arienzo/Broadway, 2006) liban sa laro … Continue reading →
Posted in Teatro
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Tagged 2013, Abi Sulit, Aegis, Aicelle Santos, America, Andrei Nikolai Pamintuan, Andres Bonifacio, Arnel Ignacio, Asia, Asian theater, Asya, Bagyong Ondoy, Bagyong Pablo, Bagyong Sendong, Bagyong Yolanda, Ballet Philippines, Basang-basa sa Ulan, Biñan, Bienvenido Lumbera, BLKD, Bobby Balingit, Broadway, Bulacan, Caloocan, Carlo Pagunaling, Carlon Matobato, Charice Pempengco, China, Chris D'Arienzo, Christine Bellen, cloud seeding, Commonwealth Avenue, cooperative, corporate responsibility, cultural geography, Dap-ayan ti Kultura iti Kordilyera, decontextualization, DKK, Dong Abay, Dulaang Pilipino, dulang musical, dulang rock, Ed Maranan, EJ: Ang Pinagdaanang Buhay nina Evelio Javier at Edgar Jopson, Ejay Yatco, Ellen Degeneres, enterprise, Españya Avenue, export-oriented, Filipino musical, Filipino National Artist, Filipino rock musical, Gab Pangilinan, Gary Granda, Gazera, Gimbey dela Cruz, Gina Francisco, Gio Gahol, girl power, globalization, Gold Villar, Happy Days Ahead, import-dependent, Isay Alvarez-Seña, Jerald Napoles, Jess Santiago, Jet Barrun, Jimmy Marquez, Joe: A Filipino Rock'sical, John Moran, Jonjon Villareal, Julienne Mendoza, Kahir, Kakai Bautista, Kalila Aguilos, karaoke culture, Karl Ramirez, Katte Sabate, Kim Molina, laguna, Lean, leptospirosis, Little Italy, Little Venice, Liza Magtoto, Lumad, Mabini150 Rock Musical, magic sing, Malabon, Mariane Abuan, Maribel Legarda, Marikina, melodrama, Mga Kuwento ni Lola Basyang, Mina Garcia, Mindanao, Mio Infante, Musicians for Peace, Musikang Bayan, Myke Salamon, National Capital Region, Natural Science, NCR, Neomi Gonzales, Noli Me Tangere: The Musical, Nor Domingo, OJ Mariano, one billion rising, Oprah, Pakil, Pandacan, People’s Choral, Pepe Herrera, PETA, peti-burges, Phi Palmos, Philippine Constitution, Philippine shoe industry, Philippine Stagers Foundation, Philippine theatre, Pilipinas, pinoy rock, protest art, protest music, Rafael Sundayan, Rak of Aegis, Rene Villuaneva, Rica Nepomuceno, Rizal X, Robert Seña, rock musical, Rock of Ages, RockEd, rom-com, romantic comedy, Rommel Rodriguez, Ron Alfonso, Ryan Cayabyab, Sa Wakas: A New Pinoy Rock Musical, Severino Reyes, SINAGBAYAN, Sugarfree, TABAKK, Tanghalang Bayan ng Kulturang Kalye, Tanghalang Pilipino, The Dawn, The Jerks, Tony Palis, U Ave, UP Repertory Company, USA, Venizia, Vince Tañada, Visayas, waterworld, West End, YouTube, Youtube sensation, [rock] Supremo
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