Tag Archives: contemporary dance

WiFiBody 7: Independent Contemporary Dance Festival

Posted on July 22, 2014 by Joanna Lerio

Presented by the Cultural Center of the Philippines and Contemporary Dance Network Manila in cooperation with The National Commission for Culture and the Arts and Japan Foundation at Tanghalang Huseng Batute from July 18-20, 2014 The festival featured choreography dance pieces as well as … Continue reading →

Posted in Sayaw | Tagged Agnes Locsin, Airdance, Al Bernard Garcia, Alice Reyes, Alvin E. Tolentino Choreographer’s Award, Alvin Tolentino Award, Angela Lawenko Baguilat, Asian dance, Bacolod, Ballet Philippines, CCP, Chameleon Dance Theater, Chantal Primero, Christine Crame, contemporary dance, Contemporary Dance Network Manila, Cultural Center of the Philippines, Cycle of Life, Daloy Dance Company, Dance Film, Dance Pull Project Bacolod, dance theatre, dancer’s body, Denisa Reyes, Dwight Rodrigazo, Ea Torrado, Eisa Jocson, Eli Jacinto, Foyer Dance, Herbert Alvarez, Housewarming Dance, independent contemporary dance, Japan Foundation, Jay Cruz, Jed Amihan, Jun Saagundo, Letran Dance Company, Lipistik, Lorelie Bulan, love, Lyceum Dance Company, Macho Dancer, Manila, Mark Rosaroso, Metro Manila, Mia Cabalfin, modern dance, Myra Beltran, Myra Beltran Dance Forum, National Commission for Culture and the Arts, NCCA, Nicole Primero, Noel Garrovillo, Pag-ibig, Pasay City, Paul Morales, Philippine dance, PJ Rebullida, Powerdance, Raul Sunico, Rhosam Prudenciado Jr., Rudolph Segundo, Ruelo Lozendo, Run Thru, Russ Ligtas, Sarah Samaniego, sayaw at galaw, SINAGBAYAN, Steve Villaruz, Tanghalang Huseng Batute, Transitopia Dance Company, UP Dance Company, WiFi Body Dance Festival, Yokohama Arts Foundation, Yokohama Dance Collection, Zyda Marie Baaya | Leave a comment

International Dance Day 2013: Xhilirate! Contemporary Dance Map 9

Posted on April 30, 2013 by Joanna Lerio

For over 30 years already, April 29 is celebrated as international dance awareness day. The date was declared in 1982 by the International Dance Committee of the International Theatre Institute (ITI) in tribute to French dance master and creator of … Continue reading →

Posted in Sayaw, Teatro | Tagged 2012 Kyoto Art Center Artist-in-Residence Program, Al Bernard Garcia, Alva Noto and Shankar Ehsaan Loy, April 29, Chameleon Dance Theater, Charles Peck, Chaya Joyce Baris, Chinese classic poetry, Chinese classic text, choreography, classical ballet, Cloud Gate Dance Theatre, contemporary dance, Contemporary Dance Map 9, Contemporary Dance Network Manila, dance, Dance Criticism, Dance Forum, Dance Studies, dance theater, digital technology, domestic theme, Ensemble Rustavi of Georgia, Entry No. ____, Epilogue: Songs of the Wanderers, Feet of Clay, Filipino children’s games, Flicker, gender politics, Great Preface of The Book of Songs, Housewarming, ICT, impact of digital technology, impact of television to human growth, information age, information technology, International Dance Committee, International Dance Day, International Dance Day 2013, International Dance Day Gala, International Theatre Institute (ITI), Jean-Georges Noverre, Jun Saagundo, life and death, Lin Hsin-fang, Lin Hwai, Lin Hwai-min, Ludwig van Beethoven, Lyceum of the Philippines University Dance Troupe, Ma. Elena Laniog, Marihiko Hara, Mark Abriza, Masumi Muranaka, Matmos, Meredith Monk, Mia Cabalfin, modern ballet, Myra Beltran, Na Laro An, Pablo Vergara, performance studies, Philip Glass, Philippines, power struggles, Quezon City, Rewind, Rhosam Prudencio Jr., romance, Sarah Maria Samaniego, September 30, Soup of Grace, Stoopidgeneral, Taiwan, Transgender, University of the Philippines Diliman, UP Dance Company, Visayas Avenue, wifi body festival, William Manzano | Leave a comment

Mensahe mula sa 2012 Gawad CCP

Posted on March 2, 2013 by Joanna Lerio

Sining ng Paglikha ng Kasaysayan. Ito ang namutawing mensahe mula sa 2012 Gawad CCP para sa Sining kung saan tatlong babae at apat na lalaking kapwa mga alagad ng sining at guro, gayundin ang isang institusyon sa malikhaing pagsulat ang pinagkalooban … Continue reading →

Posted in Rebyu | Tagged 2012 Gawad CCP para sa Sining, 9 Works Theatrical, ABS-CBN Radio, Agnes Locsin, alagad ng sining, Alfred Yuson, Alfredo Navarro Salanga, Ang Lalaki sa Buhay ni Selya, Ang Makata sa Panahon ng Makina, Ang Tatay kong Nanay, Anj Heruela, anthropology, antropolohiya, Audie Gemora, Awit ni Pulau, Babae Ka, Babaylan, Bagobo, Bahay Kubo, balitaw, Ballet Philippines, Baraha ng Buhay, Baraha ng Buhay ng Pilipino, Basta’t Masasayaw, Batanes, Bibeth Orteza, book lover, Brenda Fajardo, Broadway (US), Buhay Artista, burukrata kapitalismo, CCP, chant, Cirilo Bautista, Comedy, comedy sketch, contemporary dance, Cultural Center of the Philippines, cultural diversity, cultural research, cultural work, Dabaw, Davao, Designing the Stage, Don Salubayba, Dumaguete, Edgardo Maranan, Edilberto Tiempo, Edith Tiempo, Elena Mirano, Elias, Emmanuel Lacaba, Encantada, environmental care, epiko, Eponine, Epy Quizon, Eric Gamalinda, ethnomusicology, Europa, European music, Fantine sa Les Misérables, Filipino, Filipino identity, First Movement: Pagdiriwang ni Santos, Flippin’: Filipinos on America, Florentino Hornedo, Gary Duran, gawaing pangkultura, God Knows Hudas not Pay, Good Morning Professor, Grace Nono, Great Philippine Jungle Energy Café, Herminio Beltran, Hilagang Luzon, historical authenticity, historical fiction, historical recreation, Home Along da Riles, Iggy Rodriguez, Igorot, Impeng Negro, Inang Bayan, indigenous culture, indigenous music, Insiang, Ivatan, J. Neil Garcia, Joel Trinidad, John Batalla, John en Marsha, Jose Estrella, Jun Cruz Reyes, Ka Amado, kalikasan, Kamao: Panitikan ng Protesta 1970-86, Karen Ocampo Flores, kasaysayang Pilipino, Katribu, katutubong ekspresyon, Katy musical, Kim, King of Philippine Comedy, Kolab Company, Krisbelle Paclibar-Mamangon, Kulturang Pilipino Alay sa Mundo song, kundiman, Kung Ibig mo Akong Makilala, kwentong bayan, La Revolucion Filipina, Lamberto Antonio, Latin American music, Latino Amerika, Lea Salonga, Lester Demetillo, love, Lucio San Pedro, Madrigal Singers, makabayan, mala-etnikong koreograpiya, Manila, Maribel Legarda, Markova: Comfort Gay, Max Santiago, Melvin Lee, Mga Duguang Plakard, Mio Infante, Miss Saigon, Monique Wilson, Moriones, Moriones Festival sa Marinduque, national patrimony, nationalism, neo-ethnic dance, New Voice Company, Ninotchka Rosca, Noel Soler Cuizon, O D’wata Holi Kemudung, Olivier Ochanine, Open Letters to Filipino Artists, pagbabago, pambansang minorya, Pananaliksik Pangkultura, panitikan, patriotism, Penomenon, PETA, Philippine, Philippine artifacts, Philippine Educational Theater Association, Philippine epic, Philippine Gay Culture: The Last Thirty Years, Philippine jeepney, Philippine music, Philippine Neo-Ethnic Choreography, Philippine Philharmonic Orchestra, Philippine theater, Philippines, photographic reality, Pilipino, post colonial, postmodern, PPO, Prusesyonal Jubilate, Ramon Santos, Rep, Repertory Philippines, Ricardo Cruz, Ricky Lee, Rio Alma, ritual theater, Robbie Guevara, Rodolfo “Dolphy” Quizon Sr., Rody Vera, Rogelio Mangahas, Rogelio Sicat, Rondalla Festival, Ryan Cayabyab, Salome, Salvador Bernal, Sentrong Pangkultura ng Pilipinas, Si Tatang at ang mga Himala ng ating Panahon, Silliman University National Writers Workshop, sining biswal, Southeast Asian music, Spanish colonization, Spotlight Artists Center Actors Studio East Production, Stand-up Comedy, State of War, Tanghalang Nicanor Abelardo, Taong Talangka, Tata Selo, Tawag ng Tanghal, The Archipelago: Hammering the Arc, The Firetrees Burn all Summer, The Trilogy of Saint Lazarus, The Visitor and the Native in the Jeepney and Tricycle, Timog Silangang Asya, To Silliman with Love, Trumpets, Twice Blessed, UP Cherubim and Seraphim, Upstart Productions, UST Press, Vandolph Quizon, Virgilio Almario, Visual arts, West End (UK), Zeneida “Bibot” Amador | 1 Comment

Pitong Sundang: Ang Magsasaka Bilang Napapanahong Bida

Posted on February 20, 2013 by Joanna Lerio

Review of Pitong Sundang Tanghal 7 Entry Buong malay na isinatauhan ang konspetong ito sa Pitong Sundang: Sayaw sa Lupa at Pakikibaka, isang sayaw-dulang produksyon ng pangkulturang organisasyong SINAGBAYAN (Sining na Naglilingkod sa Bayan) kung saan tampok ang tula nina Ericson … Continue reading →

Posted in Rebyu, Teatro | Tagged AFP, agrarian reform, agrarian revolution, Alan Jazminez, Alay Sining, Anakpawis Partylist, ancestral domain, Anglo-American, animation, Asian theater, balang, Batangas, BHP Billiton, Bondoc Peninsula, bukang-liwayway, Bulwagang Balagtas, CARP, cheap-labor factory zones, classical ballet, colonization, Comprehensive Agrarian Reform Program, contemporary dance, CSWCD, daga, dam, delubyo, dislocation, dream sequence, encomienda system, epic, Ericson Acosta, feudal system, feudalism, food security, Free Ericson Acosta Campaign, GARB, Genuine Agrarian Reform Bill, golden kuhol, Hacienda Looc, Hacienda Luisita, hacienda system, Holy Family, Hongkong Baptist University, House Bill 3059, human rights violations, hunger, Iggy Rodriguez, Igorot, indigenous people, intellectuals, Jewel Maranan, journey, Katch Catoy, Lafayette, land reform, large-scale mining, leech, linta, Lumad, lupa, MassCom Media Center, mercenary tradition, Metro Manila, Moro, Morong 43, Muslim, National Commission for Culture and the Arts, national democracy, National University Theater Festival, NCCA, NCIP, OceanaGold, olf course, open forum, oplan bayanihan, party pilipinas, patrimony, peasant arts, peasantry, performance art, Phelps Dodge (US), Philippine theater, Philippines, piketlayn, pitong sundang, Pitong Sundang dance theater, pocket demolition, Poldet: Panata sa Kalayaan ng mga Detenido Pulitikal, political detainees, political prisoners, Political Theater, poverty, Pres. Benigno Aquino III, prologue, protest theater, PUP Sta. Mesa, Quezon, Raquel de Loyola, reality tv, Reuel Aguila, Review of Pitong Sundang, rice rat, Samar, SINAGBAYAN, St Exposure, Standard Hindi, struggle for land, subdivision, Sumitomo, surreal theater, Talahib, Tandang Sora Hall, Tanghal 7, Tanghal 7 NCR, Tarlac, torture, United States, University of the Philippines Diliman, USA Liberty, virtual reality, welga, World Trade Organization, Xstrata (UK), youth sector | 3 Comments

Pasinaya ng mga Dula 2013: Tao, Tahanan at Tanikala

Posted on February 10, 2013 by Joanna Lerio

Sa unang lingo ng Pebrero, umapaw sa sining ang Sentrong Pangkultura ng Pilipinas (CCP). Umapaw din ito sa tao, bata man o matanda, may pera man o wala: isang pambihirang pangyayari bagamat sinasabi ng pamahalaan na buong taon ay hindi … Continue reading →

Posted in Rebyu, Teatro | Tagged 1984, @Home, Allegorical Play, Ang Haunted House sa Ilalim ng Papaya Tree, Ang Mahiwagang Kuba, Armed Forces of the Philippines, Art, art auction, Art for the People, Arts Month, Asian theater, Ayala, Bahay Tsinoy Museum, Batalya ni Prinsipe Alvaro at Prinsipe Rodante, batas militar, By a Lady, capitalism, Catholic conservatism, CCP, children's theater, children’s play, China, Chinese Mestizo, Co Yu Hwan, Communist Party of the Philippines, Compostela Valley, Contemporary art, contemporary dance, Corazon Aquino, Corazon Cojuangco, Cultural Center of the Philippines, dance monologue, dance theater, De La Salle College of St. Benilde, desaparesidos, discrimination, Divorce Law, domestic play, dream play, Dulaang Filipino, dulang Pilipino, EJK, extra-judicial killings, Filipino, fliptop, food security, Gangnam Style, gender study, globalization, Google Earth, Greek play, hip-hop, Hongjian, horror-tragedy play, human rights, Huse Batute, Iloilo Prima Galaw, incest, Jack and the Beanstalk, JK Anicoche, Joey Paras, Jose Rizal, Kid Acts Philippines, King Oedipus, Kolab Co., Komedya, Kung Fu Panda Style, laboratory theater, Lipa Actors Company, Lola Basyang, Lola Basyang: Ang Mahiwagang Kuba, Lumad, Marag Valley, Marcos martial law, Marriage Equality, Mga Komedyante ng San Dionisio Parañaque, migrant workers, migrante, migration, Moro play, moro-moro, musical, NPA, OFW, Ony Carcamo, oplan bayanihan, Partido Komunista ng Pilipinas, Pasinaya 2013, people's art, PETA, Philippine, Philippine theater, Philippines, Play the Judas, political prisoners, Political Theater, Pres. Benigno Aquino III, proletarian theater, protest art, psy-war, psychological play, puppet show, rap, RH Bill, Right to Privacy, security of tenure, self-destructive weapon, Sipatlawin Ensemble, social media, Sophocles, Tanghalang Ateneo, Teatro Expedicion de Filipinas, Tsinoy, Typhoon Pablo, Untitled, Violence Against Women Act, women’s emancipation, women’s struggle | Leave a comment

Spinal-Joints Spiral Dance Work with Arco Renz

Posted on June 29, 2012 by Joanna Lerio

PETA Studio, Quezon City, Philippines June 28-29, 2012 —- Photos from our dance workshop with German artist Arco Rez along with Australian artist Melanie Lane. Initiated by Goethe Institute in collaboration with Philippine Education Theater Association Dance Theater Network. Arco Renz is artistic … Continue reading →

Posted in Sayaw | Tagged Anak ng Bayan San Juan, Arco Renz, Artistic director, Arts, Asia, Asian dance, Australia, Belgium, contemporary dance, core work, Cultural Exchange, dance, dance fusion, Dance Workshop, Germany, Goethe Institute, Harlequin Theater, Indonesia, Kobalt Works, Modern, Performing Arts, PETA Dance Theater Network, Philippines, Quezon City, SINAGBAYAN, spiral work | Leave a comment

Tag Archives: contemporary dance

WiFiBody 7: Independent Contemporary Dance Festival

Mensahe mula sa 2012 Gawad CCP

Pitong Sundang: Ang Magsasaka Bilang Napapanahong Bida

Spinal-Joints Spiral Dance Work with Arco Renz

Joanna Lerio

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