Joanna Lerio
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Tag Archives: Filipino identity
Mensahe mula sa 2012 Gawad CCP
Sining ng Paglikha ng Kasaysayan. Ito ang namutawing mensahe mula sa 2012 Gawad CCP para sa Sining kung saan tatlong babae at apat na lalaking kapwa mga alagad ng sining at guro, gayundin ang isang institusyon sa malikhaing pagsulat ang pinagkalooban … Continue reading →
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Tagged 2012 Gawad CCP para sa Sining, 9 Works Theatrical, ABS-CBN Radio, Agnes Locsin, alagad ng sining, Alfred Yuson, Alfredo Navarro Salanga, Ang Lalaki sa Buhay ni Selya, Ang Makata sa Panahon ng Makina, Ang Tatay kong Nanay, Anj Heruela, anthropology, antropolohiya, Audie Gemora, Awit ni Pulau, Babae Ka, Babaylan, Bagobo, Bahay Kubo, balitaw, Ballet Philippines, Baraha ng Buhay, Baraha ng Buhay ng Pilipino, Basta’t Masasayaw, Batanes, Bibeth Orteza, book lover, Brenda Fajardo, Broadway (US), Buhay Artista, burukrata kapitalismo, CCP, chant, Cirilo Bautista, Comedy, comedy sketch, contemporary dance, Cultural Center of the Philippines, cultural diversity, cultural research, cultural work, Dabaw, Davao, Designing the Stage, Don Salubayba, Dumaguete, Edgardo Maranan, Edilberto Tiempo, Edith Tiempo, Elena Mirano, Elias, Emmanuel Lacaba, Encantada, environmental care, epiko, Eponine, Epy Quizon, Eric Gamalinda, ethnomusicology, Europa, European music, Fantine sa Les Misérables, Filipino, Filipino identity, First Movement: Pagdiriwang ni Santos, Flippin’: Filipinos on America, Florentino Hornedo, Gary Duran, gawaing pangkultura, God Knows Hudas not Pay, Good Morning Professor, Grace Nono, Great Philippine Jungle Energy Café, Herminio Beltran, Hilagang Luzon, historical authenticity, historical fiction, historical recreation, Home Along da Riles, Iggy Rodriguez, Igorot, Impeng Negro, Inang Bayan, indigenous culture, indigenous music, Insiang, Ivatan, J. Neil Garcia, Joel Trinidad, John Batalla, John en Marsha, Jose Estrella, Jun Cruz Reyes, Ka Amado, kalikasan, Kamao: Panitikan ng Protesta 1970-86, Karen Ocampo Flores, kasaysayang Pilipino, Katribu, katutubong ekspresyon, Katy musical, Kim, King of Philippine Comedy, Kolab Company, Krisbelle Paclibar-Mamangon, Kulturang Pilipino Alay sa Mundo song, kundiman, Kung Ibig mo Akong Makilala, kwentong bayan, La Revolucion Filipina, Lamberto Antonio, Latin American music, Latino Amerika, Lea Salonga, Lester Demetillo, love, Lucio San Pedro, Madrigal Singers, makabayan, mala-etnikong koreograpiya, Manila, Maribel Legarda, Markova: Comfort Gay, Max Santiago, Melvin Lee, Mga Duguang Plakard, Mio Infante, Miss Saigon, Monique Wilson, Moriones, Moriones Festival sa Marinduque, national patrimony, nationalism, neo-ethnic dance, New Voice Company, Ninotchka Rosca, Noel Soler Cuizon, O D’wata Holi Kemudung, Olivier Ochanine, Open Letters to Filipino Artists, pagbabago, pambansang minorya, Pananaliksik Pangkultura, panitikan, patriotism, Penomenon, PETA, Philippine, Philippine artifacts, Philippine Educational Theater Association, Philippine epic, Philippine Gay Culture: The Last Thirty Years, Philippine jeepney, Philippine music, Philippine Neo-Ethnic Choreography, Philippine Philharmonic Orchestra, Philippine theater, Philippines, photographic reality, Pilipino, post colonial, postmodern, PPO, Prusesyonal Jubilate, Ramon Santos, Rep, Repertory Philippines, Ricardo Cruz, Ricky Lee, Rio Alma, ritual theater, Robbie Guevara, Rodolfo “Dolphy” Quizon Sr., Rody Vera, Rogelio Mangahas, Rogelio Sicat, Rondalla Festival, Ryan Cayabyab, Salome, Salvador Bernal, Sentrong Pangkultura ng Pilipinas, Si Tatang at ang mga Himala ng ating Panahon, Silliman University National Writers Workshop, sining biswal, Southeast Asian music, Spanish colonization, Spotlight Artists Center Actors Studio East Production, Stand-up Comedy, State of War, Tanghalang Nicanor Abelardo, Taong Talangka, Tata Selo, Tawag ng Tanghal, The Archipelago: Hammering the Arc, The Firetrees Burn all Summer, The Trilogy of Saint Lazarus, The Visitor and the Native in the Jeepney and Tricycle, Timog Silangang Asya, To Silliman with Love, Trumpets, Twice Blessed, UP Cherubim and Seraphim, Upstart Productions, UST Press, Vandolph Quizon, Virgilio Almario, Visual arts, West End (UK), Zeneida “Bibot” Amador
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