Joanna Lerio
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Tag Archives: fliptop
Pasinaya ng mga Dula 2013: Tao, Tahanan at Tanikala
Sa unang lingo ng Pebrero, umapaw sa sining ang Sentrong Pangkultura ng Pilipinas (CCP). Umapaw din ito sa tao, bata man o matanda, may pera man o wala: isang pambihirang pangyayari bagamat sinasabi ng pamahalaan na buong taon ay hindi … Continue reading
Posted in Rebyu, Teatro
Tagged 1984, @Home, Allegorical Play, Ang Haunted House sa Ilalim ng Papaya Tree, Ang Mahiwagang Kuba, Armed Forces of the Philippines, Art, art auction, Art for the People, Arts Month, Asian theater, Ayala, Bahay Tsinoy Museum, Batalya ni Prinsipe Alvaro at Prinsipe Rodante, batas militar, By a Lady, capitalism, Catholic conservatism, CCP, children's theater, children’s play, China, Chinese Mestizo, Co Yu Hwan, Communist Party of the Philippines, Compostela Valley, Contemporary art, contemporary dance, Corazon Aquino, Corazon Cojuangco, Cultural Center of the Philippines, dance monologue, dance theater, De La Salle College of St. Benilde, desaparesidos, discrimination, Divorce Law, domestic play, dream play, Dulaang Filipino, dulang Pilipino, EJK, extra-judicial killings, Filipino, fliptop, food security, Gangnam Style, gender study, globalization, Google Earth, Greek play, hip-hop, Hongjian, horror-tragedy play, human rights, Huse Batute, Iloilo Prima Galaw, incest, Jack and the Beanstalk, JK Anicoche, Joey Paras, Jose Rizal, Kid Acts Philippines, King Oedipus, Kolab Co., Komedya, Kung Fu Panda Style, laboratory theater, Lipa Actors Company, Lola Basyang, Lola Basyang: Ang Mahiwagang Kuba, Lumad, Marag Valley, Marcos martial law, Marriage Equality, Mga Komedyante ng San Dionisio Parañaque, migrant workers, migrante, migration, Moro play, moro-moro, musical, NPA, OFW, Ony Carcamo, oplan bayanihan, Partido Komunista ng Pilipinas, Pasinaya 2013, people's art, PETA, Philippine, Philippine theater, Philippines, Play the Judas, political prisoners, Political Theater, Pres. Benigno Aquino III, proletarian theater, protest art, psy-war, psychological play, puppet show, rap, RH Bill, Right to Privacy, security of tenure, self-destructive weapon, Sipatlawin Ensemble, social media, Sophocles, Tanghalang Ateneo, Teatro Expedicion de Filipinas, Tsinoy, Typhoon Pablo, Untitled, Violence Against Women Act, women’s emancipation, women’s struggle
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Karilyo: Shadow-play and Musical Scoring Workshop (SINAGBAYAN ACLE)
Alternative Classroom Learning Experience (ACLE) is a project of UP Diliman University Student Council in collaboration with student organizations as a platform for the studentry to conduct classes as a collective response for pressing sociological, political and cultural matters. SINAGBAYAN is Sining na … Continue reading
Posted in Awit at Musika, Palihan, Teatro
Tagged ACLE, Afternoon, Alex Remollino, alternative class, Andres Bonifacio, anino, Anino Shadowplay Collective, Art, Art of War, Asian theater, Bienvenido Lumbera, BLKD, Bobby Balingit, CAL, CARP, Chikoy Pura, cultural fascism, Cultural Imperialism, cultural industry, cultural work, Datu's Tribe, Ellen Ongkiko-Marfil, Eric Cabring Cabrera, fliptop, GARB, gawaing pangkultura, Hacienda Luisita, himig, HLI, HLI massacre, imperialism, Kahir, karilyo, Katipunan, Kjah, KKK, Lanceta, Mideo Cruz, Ms. Saigon, musical scoring, Organization, Orlando Castillo, performance art, Philippine, Philippines, political joust, puppet show, Raya Martin, Ricky Lee, Sa Ngalan ng Tubo, shadow play, sining, SOCA, state of culture and arts, supremo, The East is Red, The Jerks, The Wuds, University of the Philippines, UP Diliman, UP Diliman University Student Council, Vietnam War, visual artist, Visual arts
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