Tag Archives: freedom of expression

Marat/Sade, a Classic Sample of Theater of Cruelty and angst not merely gone mad

Posted on March 27, 2013 by Joanna Lerio

Freedom, freedom, freedom! Long live the revolution! My heart and the chairs are on fire. Despite its anarchaic ending, my democratic feelings just got high after watching Marat/Sade in its DVD form. I share this rather innate sentiment with awareness … Continue reading →

Posted in Rebyu, Teatro | Tagged Abbé de Coulmier, Adrian Mitchell, Aldwych Theatre, anti-monarchy, anti-poor education policies, Antonin Artaud, Apocalypto, Benedict Fitzgerald film, Berlin, Bertolt Brecht, Black Protest Week, British theater, CAL College of Arts and Letters, Catholic church’s brutality, cchaotic order, Charenton, Charlotte Corday, Corday, Death of Marat, defamiliarization effect, Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, Donatien Alphonse François, Doug Wright, DSCTA, Dulaang UP, education budget, European Theater, Farhad Safinia, freedom, freedom of expression, French Revolution, Geoffrey Rush, Geoffrey Skelton, Germany, Girondists, Glenda Jackson, human rights, human violence, Ian Richardson, investigative art, Jacobin Club, Jacques-Louis David, Joaquin Phoenix, karapatang pantao, La Mort de Marat, Marat, Marat/Sade, Marie-Anne Charlotte de Corday d'Armont, Marquis, Marquis de Sade, martial law, master’s class, Mel Gibson, Modern Theater, national democracy, neo-classical painting, nihilistic art, organized chaos, Parisian, Patrick Magee, Peter Brook, Philip Kaufman, Philippine Polytechnic University, Philippine youth movement, play within a play, poetic dialogue, political repression, Pres. Benigno Aquino III, Prof. Jose Estrella, psychological play, PUP, Quills, Royal Shakespeare Company, Sciller Theater, SCUs, Simonet de Coulmier, Sta. Mesa, State Colleges and Universities, surreal play, surrealism, The Death of Marat, The Passion of the Christ, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, theater between two world wars, Theater History, Theater of Cruelty, tuition hikes, University of the Philippines, UP Diliman Department of Speech Communication and Theater Arts, utopia, Verfremdungseffekt, western Theater | 3 Comments

Balikwas: Literature under Martial Law (CCP Exhibit)

Posted on September 16, 2012 by Joanna Lerio

Part of Piglas Exhibit: Commemorating 40 Years since Martial Law CCP Pasilyo Juan Luna (Main Gallery Hallway) Exhibit On-going until September 30, 2012 Organized by Cultural Center of the Philippines Intertextual Division Curated by Hermie Beltran Related articles Bigwas ng … Continue reading →

Posted in Biswal, Tula | Tagged Alfredo Navarro Salanga, Alsang Bayan, alternative journalism, alternative press, Ang Bayan, ARMAS, Asia-Philippines Leader, Ateneo de Manila University, Bandilang Pula, Bannawag, Barack Obama, Bisaya, Bulletin Today, Caracoa, CCP, censorship, Collegian Folio, Cultural Center of the Philippines, Daily Express, Dare to Struggle, dictatorship, Diliman Review, EDSA uprising, Ermita, Expressweek, Ferdinand Marcos, Focus Philippines, Francisco Soc Rodrigo, freedom for information, freedom of expression, Galian, Galian sa Arte at Tula, Hermie Beltran, Homelife, human rights violations, Igor Panarin, Jose, Juan Luna, Kamao, karapatang pantao, Liberation, Lilia Quindoza Santiago, Literary Apprentice, Liwayway, Lorena Barros, Makiisa, Malaya, Manila Bulletin, Manila Chronicle, Manila Review, Manila Time, Mara PL. Llanot, Martial, martial law, Mendiola, Midweek, Mithi, Mod, Mr. & Ms., national democracy, Nationalist Manifesto, Nicanor Tiongson, Ninoy Aquino, NPAA, Observer, PAKSA, Panorama, PD 1081, PETA, Philippine, Philippine Collegian, Philippine Free Press, Philippine Literary Arts Council, Philippines, Presidential Center for Special Studies, press freedom, protest literature, protest poetry, Reuel Molina Aguila, Sagisag, Silyab, solidarity, Subverso, Taliba ng Bayan, The Review, Ulos, underground press, United States, United States Armed Forces, University of the Philippines, Unyon ng mga Manunulat sa Pilipinas, Visual arts, Weekend, Weekly Graphic, Weekly Nation, Who, Wikang Filipino, Women Writers in Media Now, Women’s | 1 Comment

Real SONA is in the Street (SONA 2012)

Posted on July 23, 2012 by Joanna Lerio

We had a long day today. As Pres. Benigno Aquino III a.ka. Noynoy / PeNoy delivered his third State of the Nation Address (SONA), people went out in the street to assert their demands: decent job, decent wage, health care, … Continue reading →

Posted in Advocacy | Tagged ACT Partylist, Alliance of Health Workers, Asia, Axel Pinpin Propaganda Machine, batang Pilipino, Batasan, BAYAN, Bayan Muna, Bayan Muna Partylist, Benigno Aquino III, Binhi ng Laya, Brgy. Catmon, Brgy. San Isidro, CARP, CCT, Commonwealth Avenue, Conditional Cash Transfer, cultural work, DAR, Department of Agrarian Reform, doble-kara, economics, effigy, environment, Filipino, Filipino people, freedom of expression, Gabriela, Gabriela Women's Party, GARB, gawaing pangkultura, Gloria Macapagal Arroyo, Grace Lee, hacienda system, human rights, human shield, indigenous people, injury, Joi Barrios, kababaihan, kabataan partylist, Kahir, kahirapan, kalikasan, Kalikasan Partylist, karapatang pantao, karet, katribu partylist, katutubo, katutubong Pilipino, labor, lakbayani, Lanceta, land, land oligarchy, LFS-USA, lupa, magsasaka, Malabon, maximum tolerance, Migrante International, Mining EO 79, mpatuan massacre, Musicians for Peace, Nation Address, Neri Colmenares, Network Opposed to Privatization, Noynoy Aquino, oplan bayanihan, pambansang minorya, pan de sal, Parañaque, peasant, people's march, PhilHealth card, Philippine, Philippines, Pnoy, police brutality, poverty, PPP, Pres. Noynoy Aquino, protest art, public hospital, Public-Private Partnership, Quezon City, radical change, rage against the machine, Red Fighter, revolutionary struggle, richest Filipinos, Salinlahi Alliance for Children's Concerns, salubungan, San Miguel Corporation, Silverio Compound, Sining Bugkos, Sining Lila, SM Supermalls, SONA, State of the Nation Address, TABAK, Teddy Casiño, Typhoon Noynoy, Uncle Sam, USA, VFA, wage hike, weather forecast, women | Leave a comment

Spotting Palparan: Human Rights Exhibit

Posted on July 9, 2012 by Joanna Lerio

The Concerned Artists of the Philippines (CAP) has called for submission of artworks for human rights and justice. Dubbed, Asan si Palparan (ASAP) inspired by Larry Alcala’s “Slice of Life” and Martin Handford’s “Where’s Waldo”, it is intended to be a collection … Continue reading →

Posted in Biswal | Tagged Art, butcher, CAP, caravaggio, Concerned Artists of the Philippines, desaparesidos, extrajudicial killing, freedom art, freedom of expression, graphic art, graphic design, human rights, jonas burgos, Jovito Palparan, Juan Luna, justice, KARAPATAN, karapatang pantao, karen empeno, Larry Alcala, Martin Handford, painting, political killing in the Philippines, protest art, sherlyn cadapan, spolarium, Visual arts | 1 Comment

Tag Archives: freedom of expression

Marat/Sade, a Classic Sample of Theater of Cruelty and angst not merely gone mad

Balikwas: Literature under Martial Law (CCP Exhibit)

Real SONA is in the Street (SONA 2012)

Spotting Palparan: Human Rights Exhibit

Joanna Lerio

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Tag Archives: freedom of expression

Marat/Sade, a Classic Sample of Theater of Cruelty and angst not merely gone mad

Cybercrime Law? No to E-Martial Law!

Balikwas: Literature under Martial Law (CCP Exhibit)

Real SONA is in the Street (SONA 2012)

Spotting Palparan: Human Rights Exhibit

Joanna Lerio

Subscribe!

Daily Tweets

WORKS

RECENT POSTS

Top Posts & Pages

Archives

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