Joanna Lerio
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Tag Archives: Gina Francisco
Only Women Bleed 2, Eksibit at Pagtatanghal Laban sa Karahasan
Tampok sa Only Women Bleed 2 ang obra ng limampu’t anim na kababaihang pintor na nagpapahiwatig ng expresyon at paglilimi hinggil sa nais o nilalabanang imahen ng kababaihan: ang iba’t-ibang papel na sabay-sabay niyang ginagampanan; ang mga mukha ng kagandahan … Continue reading →
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Tagged acrylic, Adam and Eve, Aisa Lerio, Aiza Joy Allid, Amy Tuknay Pascual, Andrea Torres, animation, Anti-Violence Against Women and their Children Act of 2004, Antoinette Hernaez, Arlene de Castro-Anoñuevo, Arra Javier, Art, Art of War, art talk, Arts, Azzouffe Junsay, Babae song, ballet, Bbisai Ya, Bea Padua, Bennq Zuniga, biological act, Boyet de Mesa, broken heart, CEC, Cecille Montenegro, Christelle Arroyo, coffee art, Collage, comics, Community Development, Contemporary art, Contreras Sculptures Gallery, Corazon Patarata, Corinne Salazar, Cristina Miranda Alsol, Cultural Development, cultural work, culture, Daricel Serrano, Dianne Mae Zamora, Dyna Ondoy, Elizabeth Bustamante, Ella Hipolito, enforced disappearance, Enlightenment, environment, exhibit, Extrajudicial Killings, feminism, Ferdinand Marcos, Gabriela, Gabriela Women's Party, gawaing pangkultura, gender studies, Gert Libang, Gina Francisco, Google, Grace Trinidad, Gry Gimena, Hule, human anatomy, Igorot, Inang Laya, indigenous people, International Day for the Elimination of Violence against Women, Jacklyn Moya Quintos, Jam Asuncion, Janette Calubad, Jayme Ridad, Jeanette Kamphuis, Jerelyn Donguines, Jo Balbarona, Joanna Lerio, JoannaLerioOfficial, Joanne Masing, Josephine Velasco, Julie Po, justice, KARAPATAN, Katribu, katutubo, Kay Malilong, Kayerevz Agustin, koi, kultura, Labor Day, Laiyan Laiyan, Linangan ng Kulturang Pilipino, LKP, Lorena Barros, Louie Eslao, love, Lumad, Magdalena, Mai Secuban, Maria Clara, Marivel Galang, martial law, May 1, Mayo Uno, Melanie Torres, Migrante International, migration, Mixed media, MOMA, Moro, Mother Earth, Myrna Arines, NDF, Nova Mariposque, oil, one billion rising, Only Women Bleed 2, peace, performance art, Philippine Icon, Philippines, Pinoy na Pinoy Visual Artists Association, political detainee, political prisoner, PPVAA, Precy Brady, Quezon City, Reizel Vibal, Republic Act 9262, Rhea Pareja, Rica dela Cruz, Sandra Herber, Sangreal, Sarah Mae Tario, SELDA, Shalet Llona, Sharon Cabusao, Sheryl Macawili, Si Malakas at si Maganda, Sikat Events Place, Sisa, Strods Hodreal, Tala Isla Contreras, Tandang Sora, technology, Tiboli, Tomas Morato, Trelly Marigza, Tubbataha, VAWC, Vday, Victoria Yasnaya Flores, Vida Verzoza, Violence against women, violence studies, violin, Visual arts, Vivian Limpin, watercolor, Wellainee Cachola, Wild Flower, women strike, women studies, Yolanda Cabuco
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Theater Review: Kung bakit Hit ang Rak of Aegis sa Gitna ng Pagbabakasakali’t Hagupit
Inilathala din sa Pinoyweekly.org Liban sa paghatid ng lumang awit at musika sa bagong-dagdag na kiliti nito, walang kinalaman ang dulang Rak of Aegis sa buhay ng bandang Aegis. Wala rin itong kinalaman sa musikal na Rock of Ages (Chris D’Arienzo/Broadway, 2006) liban sa laro … Continue reading →
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Tagged 2013, Abi Sulit, Aegis, Aicelle Santos, America, Andrei Nikolai Pamintuan, Andres Bonifacio, Arnel Ignacio, Asia, Asian theater, Asya, Bagyong Ondoy, Bagyong Pablo, Bagyong Sendong, Bagyong Yolanda, Ballet Philippines, Basang-basa sa Ulan, Biñan, Bienvenido Lumbera, BLKD, Bobby Balingit, Broadway, Bulacan, Caloocan, Carlo Pagunaling, Carlon Matobato, Charice Pempengco, China, Chris D'Arienzo, Christine Bellen, cloud seeding, Commonwealth Avenue, cooperative, corporate responsibility, cultural geography, Dap-ayan ti Kultura iti Kordilyera, decontextualization, DKK, Dong Abay, Dulaang Pilipino, dulang musical, dulang rock, Ed Maranan, EJ: Ang Pinagdaanang Buhay nina Evelio Javier at Edgar Jopson, Ejay Yatco, Ellen Degeneres, enterprise, Españya Avenue, export-oriented, Filipino musical, Filipino National Artist, Filipino rock musical, Gab Pangilinan, Gary Granda, Gazera, Gimbey dela Cruz, Gina Francisco, Gio Gahol, girl power, globalization, Gold Villar, Happy Days Ahead, import-dependent, Isay Alvarez-Seña, Jerald Napoles, Jess Santiago, Jet Barrun, Jimmy Marquez, Joe: A Filipino Rock'sical, John Moran, Jonjon Villareal, Julienne Mendoza, Kahir, Kakai Bautista, Kalila Aguilos, karaoke culture, Karl Ramirez, Katte Sabate, Kim Molina, laguna, Lean, leptospirosis, Little Italy, Little Venice, Liza Magtoto, Lumad, Mabini150 Rock Musical, magic sing, Malabon, Mariane Abuan, Maribel Legarda, Marikina, melodrama, Mga Kuwento ni Lola Basyang, Mina Garcia, Mindanao, Mio Infante, Musicians for Peace, Musikang Bayan, Myke Salamon, National Capital Region, Natural Science, NCR, Neomi Gonzales, Noli Me Tangere: The Musical, Nor Domingo, OJ Mariano, one billion rising, Oprah, Pakil, Pandacan, People’s Choral, Pepe Herrera, PETA, peti-burges, Phi Palmos, Philippine Constitution, Philippine shoe industry, Philippine Stagers Foundation, Philippine theatre, Pilipinas, pinoy rock, protest art, protest music, Rafael Sundayan, Rak of Aegis, Rene Villuaneva, Rica Nepomuceno, Rizal X, Robert Seña, rock musical, Rock of Ages, RockEd, rom-com, romantic comedy, Rommel Rodriguez, Ron Alfonso, Ryan Cayabyab, Sa Wakas: A New Pinoy Rock Musical, Severino Reyes, SINAGBAYAN, Sugarfree, TABAKK, Tanghalang Bayan ng Kulturang Kalye, Tanghalang Pilipino, The Dawn, The Jerks, Tony Palis, U Ave, UP Repertory Company, USA, Venizia, Vince Tañada, Visayas, waterworld, West End, YouTube, Youtube sensation, [rock] Supremo
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