Tag Archives: John Batalla

Mensahe mula sa 2012 Gawad CCP

Posted on March 2, 2013 by Joanna Lerio

Sining ng Paglikha ng Kasaysayan. Ito ang namutawing mensahe mula sa 2012 Gawad CCP para sa Sining kung saan tatlong babae at apat na lalaking kapwa mga alagad ng sining at guro, gayundin ang isang institusyon sa malikhaing pagsulat ang pinagkalooban … Continue reading →

Posted in Rebyu | Tagged 2012 Gawad CCP para sa Sining, 9 Works Theatrical, ABS-CBN Radio, Agnes Locsin, alagad ng sining, Alfred Yuson, Alfredo Navarro Salanga, Ang Lalaki sa Buhay ni Selya, Ang Makata sa Panahon ng Makina, Ang Tatay kong Nanay, Anj Heruela, anthropology, antropolohiya, Audie Gemora, Awit ni Pulau, Babae Ka, Babaylan, Bagobo, Bahay Kubo, balitaw, Ballet Philippines, Baraha ng Buhay, Baraha ng Buhay ng Pilipino, Basta’t Masasayaw, Batanes, Bibeth Orteza, book lover, Brenda Fajardo, Broadway (US), Buhay Artista, burukrata kapitalismo, CCP, chant, Cirilo Bautista, Comedy, comedy sketch, contemporary dance, Cultural Center of the Philippines, cultural diversity, cultural research, cultural work, Dabaw, Davao, Designing the Stage, Don Salubayba, Dumaguete, Edgardo Maranan, Edilberto Tiempo, Edith Tiempo, Elena Mirano, Elias, Emmanuel Lacaba, Encantada, environmental care, epiko, Eponine, Epy Quizon, Eric Gamalinda, ethnomusicology, Europa, European music, Fantine sa Les Misérables, Filipino, Filipino identity, First Movement: Pagdiriwang ni Santos, Flippin’: Filipinos on America, Florentino Hornedo, Gary Duran, gawaing pangkultura, God Knows Hudas not Pay, Good Morning Professor, Grace Nono, Great Philippine Jungle Energy Café, Herminio Beltran, Hilagang Luzon, historical authenticity, historical fiction, historical recreation, Home Along da Riles, Iggy Rodriguez, Igorot, Impeng Negro, Inang Bayan, indigenous culture, indigenous music, Insiang, Ivatan, J. Neil Garcia, Joel Trinidad, John Batalla, John en Marsha, Jose Estrella, Jun Cruz Reyes, Ka Amado, kalikasan, Kamao: Panitikan ng Protesta 1970-86, Karen Ocampo Flores, kasaysayang Pilipino, Katribu, katutubong ekspresyon, Katy musical, Kim, King of Philippine Comedy, Kolab Company, Krisbelle Paclibar-Mamangon, Kulturang Pilipino Alay sa Mundo song, kundiman, Kung Ibig mo Akong Makilala, kwentong bayan, La Revolucion Filipina, Lamberto Antonio, Latin American music, Latino Amerika, Lea Salonga, Lester Demetillo, love, Lucio San Pedro, Madrigal Singers, makabayan, mala-etnikong koreograpiya, Manila, Maribel Legarda, Markova: Comfort Gay, Max Santiago, Melvin Lee, Mga Duguang Plakard, Mio Infante, Miss Saigon, Monique Wilson, Moriones, Moriones Festival sa Marinduque, national patrimony, nationalism, neo-ethnic dance, New Voice Company, Ninotchka Rosca, Noel Soler Cuizon, O D’wata Holi Kemudung, Olivier Ochanine, Open Letters to Filipino Artists, pagbabago, pambansang minorya, Pananaliksik Pangkultura, panitikan, patriotism, Penomenon, PETA, Philippine, Philippine artifacts, Philippine Educational Theater Association, Philippine epic, Philippine Gay Culture: The Last Thirty Years, Philippine jeepney, Philippine music, Philippine Neo-Ethnic Choreography, Philippine Philharmonic Orchestra, Philippine theater, Philippines, photographic reality, Pilipino, post colonial, postmodern, PPO, Prusesyonal Jubilate, Ramon Santos, Rep, Repertory Philippines, Ricardo Cruz, Ricky Lee, Rio Alma, ritual theater, Robbie Guevara, Rodolfo “Dolphy” Quizon Sr., Rody Vera, Rogelio Mangahas, Rogelio Sicat, Rondalla Festival, Ryan Cayabyab, Salome, Salvador Bernal, Sentrong Pangkultura ng Pilipinas, Si Tatang at ang mga Himala ng ating Panahon, Silliman University National Writers Workshop, sining biswal, Southeast Asian music, Spanish colonization, Spotlight Artists Center Actors Studio East Production, Stand-up Comedy, State of War, Tanghalang Nicanor Abelardo, Taong Talangka, Tata Selo, Tawag ng Tanghal, The Archipelago: Hammering the Arc, The Firetrees Burn all Summer, The Trilogy of Saint Lazarus, The Visitor and the Native in the Jeepney and Tricycle, Timog Silangang Asya, To Silliman with Love, Trumpets, Twice Blessed, UP Cherubim and Seraphim, Upstart Productions, UST Press, Vandolph Quizon, Virgilio Almario, Visual arts, West End (UK), Zeneida “Bibot” Amador | 1 Comment

Alboroto ng Bulkan/Bayan sa Ibalong at Daragang Magayon

Posted on February 10, 2013 by Joanna Lerio

Inilathala rin sa Pinoyweekly Online Magazine Marso 23, 2013 Ang epiko ay paglalakbay ng bayaning hinirang ng isang pamayanan kung saan nahahalaw ang isang lokal na kaisipan tungo sa pambansang kamalayan. Ang kasaysayang ito ay masasabing atin at ang pagsisikap … Continue reading →

Posted in Rebyu, Teatro | Tagged (2012), 2012 Gawad CCP para sa Sining, 2012 NCCA Writers Prize, Aimee Escasa, alamat ng Bicol, Albay, Albay Poet Laureat Abdon Balde Jr., Alden Lugnasin, American occupation, Amihan musical, artistic expression, Asian theater, Ateneo Social Science Research Center, Babaylan, Balagtas, Baliana, Balikatan Exercise, balimbing, Baltog, Bathala, Bathala ng Kadiliman, Bicol epic, Bicol legend, blubber dancer, Bonifacio Ilagan, Calayo, Camarines, Carlos Siguion-Reyna, Carol Bello, Catanduanes, Cebu, Cheeno Macaraig, Chuck Escasa, commercialism, consumerism, Cultural Imperialism, cultural repression, Daragang Magayon, Daragang Magayon an Istorya ni Mayon, Daragang Magayon Festival, Darwin, desaparasidos, desaparecidos, devil’s chimes, Diwata, Diwata ng Buwan, Diwata ng Liwanag, djembe, Dulaang UP, dulang Pilipino, E-Dance Theater, Ea Torrado, EJK, environmentalism, epikong Bicol, extra-judicial killings, feminism, Fray Bernardino de Melendreras, Fray Jose Castaño, gabbang, gangsa, gender studies, Gerald Mercado, gitara, Gov. Joey Salceda, Haliya, Handyong, Hazel Sabas-Gower, heroism, human rights, Ibalong Festival, Ibalong Musical, Ibalong Pagbuo ng Epikong Bikol, indigenous civilization, indigenous fusion, Iriga Tribe, Jenine Desiderio, Jerry Ramirez, John Batalla, Jonathan Tadioan, kali drum, kalikasan, KARAPATAN, Karilaga Tribe, kubing, laguna, lahar in Bicol, Legazpi City, Legend of the Three Mountains, live electronic sound effects, live organic sound effects, local consciousness, locale, Makusog, Marco Viaña, Marcus Tolentino, Maria Cacao, Maria Makiling, Maria Sinukuan, Masbate, May Bayot, Mayon volcano eruption, Mayor Carmen Geraldine Rosal, Merlinda Bobis, militarization in Bicol, Miriam College Institute for the Arts, Miss Saigon, Mt. Arayat, Mt. Lantoy, Mt. Makiling, Myke Salomon, na di nababagay sa kanyang karakter. Leeroy New, National consciousness, National Statistical Coordinating Board, new media, Nicolo Magno, Niko Salazar, Novo Concertante Manila, oplan bayanihan, Orozman at Zafira, Oryol, Pacific Ocean, Pag-ibig, Pampanga, party pilipinas, pas de deux, Philippine theater, political prisoners, politics of change, poverty in Bicol, Pres. Benigno Aquino III, progressive bloc, Rabot, rainstick, Ramon Santos, Rawis Tribe, Red Nuestro, Review of Daragang Magayon Dance Theater Multimedia, Review of Ibalong Musical, Rizalino Reyes, Rody Vera, Ronnie Lazaro, Sex Bomb, shakers, sincere leadership, social media, Sorsogon, Spanish Occupation, survival of the fittest, Tagulaylay ng Bayan, Tanghalang Aurelio Tolentino, Tanghalang Nicanor Abelardo, Tanghalang Pilipino, t’boli bells, Tourism, Trixie Esteban, tungatong, Tuxqs Rutaquio, Typhoon Reming, Umaaraw Umuulan Kinakasal ang Tikbalang, UP Rondalla, violin, Virgilio Almario, WALANG SUGAT | Leave a comment

Tag Archives: John Batalla

Mensahe mula sa 2012 Gawad CCP

Joanna Lerio

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