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Tag Archives: Jonathan Tadioan
Theater Review: Usapang Buhay sa Virgin LabFest 10 (The Harvest)
Produksyon ng The Writer’s Bloc, Cultural Center of the Philippines, Tanghalang Pilipino sa suporta ng Pambansang Komisyon ng mga Kultura at Sining na ginanap sa Tanghalang Huseng Batute – CCP noong Hunyo 25 – Hulyo 6, 2014. Ang rebyung ito … Continue reading
Posted in Rebyu
Tagged 1745 prophecy, Acting, aggressive development project, Alison Segarra, Allan Lopez, Ang Goldfish ni Prof. Dimaandal, Ang Naghihingalo, Ang Pamamanhikan, Annulment in the Philippines, Anonymous, Anti-Violence Against Women and their Children Act, Asian theater, Audie Gemora, Bago Ilibing, bakla, bayani, bayanihan, Bernadette Neri, Bernardo Bernardo, Betang, bilog, blackmail, Bong Cabrera, booking, boy to boy, Brecht, butcher, Canada, career woman, Carlo Olvido, Carlo Vergara, CCP, Ces Quesada, character sketch, chatting, Chino Veguillas), Chris Martinez, Chris Millado, Comedy, coming of age, congress session, contemporary theatre, corporate life, corruption, Cris Pasturan, Crispin Pineda, Cultural Center of the Philippines, cultural work, Delphine Buencamino, Denisa Reyes, Dennis Marasigan, Devising Theater, Dingdong Novenario, directing, Dolly de Leon, Domestic Helper, domestication, drug addiction, dulang eksperimental, dulang Pilipino, e-burol, E-VAW, Ed Lacson, electronic violence, electronic violence against women, Eljay Deldoc, enigmatic relationship, Exit Interview, experimental theatre, factory worker, feudal culture, Fool, funeral wake, gabi ng lamay, Gabriela, gawaing pangkultura, gender equality, gender politics, gender stereotyping, girl to girl, globalisasyon, globalization, Gorky, Hannah dela Guerra, Hayden Koh, HB 6815, health service, Herlyn Alegre, Hermie Conception, heterosexual relationship, homosexual relationship, ice cream vendor, identity, Imbisibol, incest, Insiang, internalization, Isabelle Martinez, Isang Daan, J-mee Katanyag, Japan, Jenny Jamora, JK Anicoche, Joel Saracho, Jonathan Tadioan, Joseph Matheu, Joshua So, Joy Icayan, Junjun Quintana, justice, kahirapan, kapayapaang pang-global, kapayapaang panloob, karahasan sa kababaihan, kasarian, katipunero, Katrina Halili, Katsch Katoy, katulong, Kevin Tabora, Kiki Baento, Kung Paano ako naging Leading Lady, Lambert de Jesus, Last Ten Minutes, Lawrence Fajardo, Layeta Bucoy, Legal Wife, lesbian, lesbianism, Letters from a Closet, LGBT, liberalism, Liesel Batucan, lion, Liza Magtoto, lohika ng isang sistema, long term relationship, love, Machismo, macho, Magna Carta for Women, Magna Carta para sa Kababaihan, maka-tao, makabayan, Mambo Italiano, Mapagbirong Haplos, Marco Viaña, Mario Mendoza, Marlon Rivera, Mayen Estanero, Maynard Manansala, Meann Espinosa, Meila Romero, Melvin Lee, memory play, Migrante International, migrasyon, migration, mirasol, Miss Universal Empress 2045, Miss Universe, modern hero, morality, motel, Ms. Cyberspacial Queen, Ms. Globalflower, Ms. Multinational, Ms. Ultranational, National Commission for Culture and the Arts, national hero, nationalism, NCCA, Noemi Manikan Gomez, Nor Domingo, OBR, OCW, OFW, one billion rising, one-act play, online violence, Only Torres, Opaline Santos, Other Woma, OWWA, Pag-ibig, Pambansang Komisyon ng mga Kultura at Sining, Pantas, patriarchal, patriyarkal, peace and order, peaceful death, people's art, Philippine theater, Playwriting, police brutality, postmodern, poverty, privatization of Philippine hospitals, promiscuity, proyektong pangkaunlaran, R.I.P., RA 9262, Randy Villarama, rape, rationality, Raya Laplana Sa Lilim, Raymund Reyes, realism, Rem Zamora, Roeder Camanag, Roobak Valle, Sa Isang Hindi Natatanging Umaga at ang Ulap ay Dahan-Dahang Pumaibabaw sa Nabubulok na Lungsod, Sa Pagitan ng Dalawang Kahong Liham, Sarah Salazar, satire, satirika, sekswalidad, self discovery, self-destruction, senate hearing, sex, sex video scandal, sexuality, Sherry Lara, socialism, solidarity, suicide, sunflower, Superhero, surrealism, Tami Monsod, Tanghalang Huseng Batute, Tanghalang Pilipino, The Missing Peace, The Writer’s Bloc, theater review, Tipping the Velvet, TNT, Tokyo, tomboy, Topper Fabregas, tragedy, tragicomedy, Tuxqs Rutaquio, Uleb Nieto, undocumented Filipino migrants, UZ Eliserio, VAWC, Violence Against Women and Children, Virgin Labfest, virtual violence, VLF 2013, VLF 2014, Wenah Nagales, Wendy Wants to be a Housewife, world peace, Yong Tapang
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Alboroto ng Bulkan/Bayan sa Ibalong at Daragang Magayon
Inilathala rin sa Pinoyweekly Online Magazine Marso 23, 2013 Ang epiko ay paglalakbay ng bayaning hinirang ng isang pamayanan kung saan nahahalaw ang isang lokal na kaisipan tungo sa pambansang kamalayan. Ang kasaysayang ito ay masasabing atin at ang pagsisikap … Continue reading
Posted in Rebyu, Teatro
Tagged (2012), 2012 Gawad CCP para sa Sining, 2012 NCCA Writers Prize, Aimee Escasa, alamat ng Bicol, Albay, Albay Poet Laureat Abdon Balde Jr., Alden Lugnasin, American occupation, Amihan musical, artistic expression, Asian theater, Ateneo Social Science Research Center, Babaylan, Balagtas, Baliana, Balikatan Exercise, balimbing, Baltog, Bathala, Bathala ng Kadiliman, Bicol epic, Bicol legend, blubber dancer, Bonifacio Ilagan, Calayo, Camarines, Carlos Siguion-Reyna, Carol Bello, Catanduanes, Cebu, Cheeno Macaraig, Chuck Escasa, commercialism, consumerism, Cultural Imperialism, cultural repression, Daragang Magayon, Daragang Magayon an Istorya ni Mayon, Daragang Magayon Festival, Darwin, desaparasidos, desaparecidos, devil’s chimes, Diwata, Diwata ng Buwan, Diwata ng Liwanag, djembe, Dulaang UP, dulang Pilipino, E-Dance Theater, Ea Torrado, EJK, environmentalism, epikong Bicol, extra-judicial killings, feminism, Fray Bernardino de Melendreras, Fray Jose Castaño, gabbang, gangsa, gender studies, Gerald Mercado, gitara, Gov. Joey Salceda, Haliya, Handyong, Hazel Sabas-Gower, heroism, human rights, Ibalong Festival, Ibalong Musical, Ibalong Pagbuo ng Epikong Bikol, indigenous civilization, indigenous fusion, Iriga Tribe, Jenine Desiderio, Jerry Ramirez, John Batalla, Jonathan Tadioan, kali drum, kalikasan, KARAPATAN, Karilaga Tribe, kubing, laguna, lahar in Bicol, Legazpi City, Legend of the Three Mountains, live electronic sound effects, live organic sound effects, local consciousness, locale, Makusog, Marco Viaña, Marcus Tolentino, Maria Cacao, Maria Makiling, Maria Sinukuan, Masbate, May Bayot, Mayon volcano eruption, Mayor Carmen Geraldine Rosal, Merlinda Bobis, militarization in Bicol, Miriam College Institute for the Arts, Miss Saigon, Mt. Arayat, Mt. Lantoy, Mt. Makiling, Myke Salomon, na di nababagay sa kanyang karakter. Leeroy New, National consciousness, National Statistical Coordinating Board, new media, Nicolo Magno, Niko Salazar, Novo Concertante Manila, oplan bayanihan, Orozman at Zafira, Oryol, Pacific Ocean, Pag-ibig, Pampanga, party pilipinas, pas de deux, Philippine theater, political prisoners, politics of change, poverty in Bicol, Pres. Benigno Aquino III, progressive bloc, Rabot, rainstick, Ramon Santos, Rawis Tribe, Red Nuestro, Review of Daragang Magayon Dance Theater Multimedia, Review of Ibalong Musical, Rizalino Reyes, Rody Vera, Ronnie Lazaro, Sex Bomb, shakers, sincere leadership, social media, Sorsogon, Spanish Occupation, survival of the fittest, Tagulaylay ng Bayan, Tanghalang Aurelio Tolentino, Tanghalang Nicanor Abelardo, Tanghalang Pilipino, t’boli bells, Tourism, Trixie Esteban, tungatong, Tuxqs Rutaquio, Typhoon Reming, Umaaraw Umuulan Kinakasal ang Tikbalang, UP Rondalla, violin, Virgilio Almario, WALANG SUGAT
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