Joanna Lerio
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Tag Archives: large-scale mining
Environmental Concert and tribute to Willem Geertman
Related articles Who is Willem Geertman and why he was killed DOJ petition to review doubtful charges against suspects of Geertman’s murder Justice for Willem Geertman Facebook Page Pinoys in the Netherlands seek justice
Posted in Advocacy, Awit at Musika
Tagged Alay Bayan Luson Inc., Anakpawis Partylist, Angara, Aniban ng Kilusang Magsasaka ng Aurora, APECO, Association of Farmers’ Movement of Aurora, Ateneo de Manila University, Aurora, Aurora Pacific Economic Zone and Freeport Act of 2010, Aurora Provincial Farmers’ Alliance, Baler, Bataris Formation Center, BAYAN Europe, Bishop Julio X. Labayen, Brgy. Reserva, Calama, Central Luzon, Church of the Poor, climate change, Dutch in the Philippines, Dutch missionary, Dutch NGO worker, Dutch-Filipino solidarity group, EJK, environmental concert, extra-judicial killing, global warming, Hacienda Luisita, human rights, IBON Europe, Indigenous People’s Association of Aurora, Justice and Peace Action Group, Justice for Willem Geertman Movement, Kalikasan Partylist, karapatang pantao, L&S Subdivision, large-scale mining, martial law, MIVO, Nederlands-Filippijnse Solidariteitsbeweging, Netherlands, NFS, Nueva Ecija, PAMANA, Pampanga, Panlalawigang Alyansa ng Magbubukid ng Aurora, Philippines-Dutch Solidarity, political killing, Rue de Paree, SAKA, Samahan ng mga Kababaihan ng Aurora, Samahan ng mga Kabataan ng Aurora, Samahan ng mga Katutubo ng Sierra Madre, SAMAKA, student bands, Telabastagan, Third World country, Typhoon Ondoy, Typhoon Pepeng, University of the Philippines, Willem Geertman, Women’s Association of Aurora, Youth Association of Aurora, Zambales
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Cotabato Chronicle: Cultural Exchange with T’boli Indigenous People at Lake Sebu
As I was planning my trip to Cotabato, I learned from wanderingcha of the homestay T’boli School of Living Traditions (SLT) in Purok Lambanig, Lake Sebu, South Cotabato. The only way to get there from Brgy. Awang in North Cotabato City is … Continue reading
Posted in Paglalakbay
Tagged 15th T’boli Seslong Festival, 1998 National Living Treasure Awardee, 39th Foundation Day, AFP, agricultural land, Allah River, American occupation in the Philippines, Ampatuan Massacre, ancestral domain, Baay Family, Bangsamoro, Bayan Muna Partylist, boating at Sebu Lake, brass casting, brass making, Brgy. Awang, Brgy. T’boli, Brittish occupation in the Philippines, Bundos, bureaucrat capitalism, CAR, car stuffing, Cebuano, COMELEC checkpoint, Cooperative of Women in Health and Development, Cordillera Region, Cotabato, Cotabato City, COWHEAD, Cultural Exchange, curroption, dark comedy, Dongon clan, Dongon Falls, Dutch occupation in the Philippines, Falls 1, Falls 2, Falls 3 Hikong B'lebel (Coil or Zigzag Falls), Falls 4 Hikong Lowig (Booth Falls), Falls 5 Hikong K'fo-i (Little Falls), Falls 6 & 7 Hikong Tonok (Soil), Filipino Sabah claim, General Santos, General Santos City, Gono Kem Bo-I (Princess House), goons gun and gold, hegalong T’boli guitar, Hikong Alu, Hikong Bente, Hikong Nature Park, homestay, House of Gongs, Husky Bus, Ilonggo, Immeasurable Falls, Indian Theater, indigenous instrument, indigenous music, indigenous people, indigenous song, indigenous T’boli dance, indigenous T’boli song, Insulan van terminal, IP, Japan, Japanese occupation in the Philippines, KAMP, katribu partylist, katutubo, Lake Sebu, Lake Sebu South Cotabato, Lam ‘Unay Song (sa sulod / inside), Lang Dulay, large-scale mining, Madal Ahalos, Madal Iwas (Monkey Dance), Madal Tahao (Dance of Bird), Madal Taho (Dance of a Good Person), Maguindanao, Maguindanaons, makabayan, Manila, Maria Todi, Merl Garden Spring Resort, military checkpoint, national democracy, NCCA Gawad Manlilikha ng Bayan, North Cotabato City, pambansang minorya, Passage Falls, Philippine May 2013 election, Philippine tourism, Philippine travel, Philippines, Political dynasty, politics of change, private army Philippine army, Punta Isla, Purok Lambanig, resorts in Lake Sebu, senatoriable Teddy Casiño, sky cable boat ride, South Cotabato, Spanish occupation in the Philippines, Sultan Kudarat, Surallah Integrated Public Terminal, T’boli, T’boli dress, T’boli School of Living Traditions, T’Boli Trade and Crafts, T’nalak, Tisay Todi, town ambush, Vedic, voter’s education
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Amungan para sa Lingkod Katribu
Posted in Advocacy, Awit at Musika
Tagged ancestral domain, Bantayog ng mga Bayani, cultural night, environment, illegal logging, indigenous people, kalikasan, KAMP, Katribu, katribu partylist, katutubong Pilipino, large-scale mining, pambansang minorya, Philippines, Quezon City, Solidarity action
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Pitong Sundang: Ang Magsasaka Bilang Napapanahong Bida
Review of Pitong Sundang Tanghal 7 Entry Buong malay na isinatauhan ang konspetong ito sa Pitong Sundang: Sayaw sa Lupa at Pakikibaka, isang sayaw-dulang produksyon ng pangkulturang organisasyong SINAGBAYAN (Sining na Naglilingkod sa Bayan) kung saan tampok ang tula nina Ericson … Continue reading
Posted in Rebyu, Teatro
Tagged AFP, agrarian reform, agrarian revolution, Alan Jazminez, Alay Sining, Anakpawis Partylist, ancestral domain, Anglo-American, animation, Asian theater, balang, Batangas, BHP Billiton, Bondoc Peninsula, bukang-liwayway, Bulwagang Balagtas, CARP, cheap-labor factory zones, classical ballet, colonization, Comprehensive Agrarian Reform Program, contemporary dance, CSWCD, daga, dam, delubyo, dislocation, dream sequence, encomienda system, epic, Ericson Acosta, feudal system, feudalism, food security, Free Ericson Acosta Campaign, GARB, Genuine Agrarian Reform Bill, golden kuhol, Hacienda Looc, Hacienda Luisita, hacienda system, Holy Family, Hongkong Baptist University, House Bill 3059, human rights violations, hunger, Iggy Rodriguez, Igorot, indigenous people, intellectuals, Jewel Maranan, journey, Katch Catoy, Lafayette, land reform, large-scale mining, leech, linta, Lumad, lupa, MassCom Media Center, mercenary tradition, Metro Manila, Moro, Morong 43, Muslim, National Commission for Culture and the Arts, national democracy, National University Theater Festival, NCCA, NCIP, OceanaGold, olf course, open forum, oplan bayanihan, party pilipinas, patrimony, peasant arts, peasantry, performance art, Phelps Dodge (US), Philippine theater, Philippines, piketlayn, pitong sundang, Pitong Sundang dance theater, pocket demolition, Poldet: Panata sa Kalayaan ng mga Detenido Pulitikal, political detainees, political prisoners, Political Theater, poverty, Pres. Benigno Aquino III, prologue, protest theater, PUP Sta. Mesa, Quezon, Raquel de Loyola, reality tv, Reuel Aguila, Review of Pitong Sundang, rice rat, Samar, SINAGBAYAN, St Exposure, Standard Hindi, struggle for land, subdivision, Sumitomo, surreal theater, Talahib, Tandang Sora Hall, Tanghal 7, Tanghal 7 NCR, Tarlac, torture, United States, University of the Philippines Diliman, USA Liberty, virtual reality, welga, World Trade Organization, Xstrata (UK), youth sector
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Pitong Sundang, a Tribute to Andres and the New Supremos
SINAGBAYAN (Sining na Naglilingkod sa Bayan / Art for the People) presented Pitong Sundang, a dance theater production in commemoration of Andres Bonifacio Day. Featuring poems and dance pieces on land struggle, the play is also dedicated to all toiling … Continue reading
Posted in Teatro
Tagged Andres Bonifacio, Art for the People, CARPER, College of Social Work and development, dam project Philippines, dance theater, Filipino people, food security, GARB, Genuine Agrarian Reform Program, human rights, karapatang pantao, karilyo, Katipunan, land grabbing, land oligarchy, large-scale mining, pitong sundang, shadow play, SINAGBAYAN, sining, sining ng pagtatanghal, Talahib, Tandang Sora Hall, Tanztheater, University of the Philippines Diliman, Xining
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