Joanna Lerio
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Tag Archives: migration
Nanay, isang Dulang Testimonyal: Migranteng Pinay bilang Nars, Nanny, Nanay
(Bahagi ng Testimonya ng Aktor sa Dulang Testimonyal) Inilathala rin sa Pinoyweekly.org Matapos maglakbay sa Canada, Germany at U.K. mula 2009-12, itinanghal sa Pilipinas ang “Nanay, isang Dulang Testimonyal” noong Nobyembre 2013 sa direksyon ni Alex Ferguson at produksyon ng … Continue reading
Theater Review: Usapang Buhay sa Virgin LabFest 10 (The Harvest)
Produksyon ng The Writer’s Bloc, Cultural Center of the Philippines, Tanghalang Pilipino sa suporta ng Pambansang Komisyon ng mga Kultura at Sining na ginanap sa Tanghalang Huseng Batute – CCP noong Hunyo 25 – Hulyo 6, 2014. Ang rebyung ito … Continue reading
Posted in Rebyu
Tagged 1745 prophecy, Acting, aggressive development project, Alison Segarra, Allan Lopez, Ang Goldfish ni Prof. Dimaandal, Ang Naghihingalo, Ang Pamamanhikan, Annulment in the Philippines, Anonymous, Anti-Violence Against Women and their Children Act, Asian theater, Audie Gemora, Bago Ilibing, bakla, bayani, bayanihan, Bernadette Neri, Bernardo Bernardo, Betang, bilog, blackmail, Bong Cabrera, booking, boy to boy, Brecht, butcher, Canada, career woman, Carlo Olvido, Carlo Vergara, CCP, Ces Quesada, character sketch, chatting, Chino Veguillas), Chris Martinez, Chris Millado, Comedy, coming of age, congress session, contemporary theatre, corporate life, corruption, Cris Pasturan, Crispin Pineda, Cultural Center of the Philippines, cultural work, Delphine Buencamino, Denisa Reyes, Dennis Marasigan, Devising Theater, Dingdong Novenario, directing, Dolly de Leon, Domestic Helper, domestication, drug addiction, dulang eksperimental, dulang Pilipino, e-burol, E-VAW, Ed Lacson, electronic violence, electronic violence against women, Eljay Deldoc, enigmatic relationship, Exit Interview, experimental theatre, factory worker, feudal culture, Fool, funeral wake, gabi ng lamay, Gabriela, gawaing pangkultura, gender equality, gender politics, gender stereotyping, girl to girl, globalisasyon, globalization, Gorky, Hannah dela Guerra, Hayden Koh, HB 6815, health service, Herlyn Alegre, Hermie Conception, heterosexual relationship, homosexual relationship, ice cream vendor, identity, Imbisibol, incest, Insiang, internalization, Isabelle Martinez, Isang Daan, J-mee Katanyag, Japan, Jenny Jamora, JK Anicoche, Joel Saracho, Jonathan Tadioan, Joseph Matheu, Joshua So, Joy Icayan, Junjun Quintana, justice, kahirapan, kapayapaang pang-global, kapayapaang panloob, karahasan sa kababaihan, kasarian, katipunero, Katrina Halili, Katsch Katoy, katulong, Kevin Tabora, Kiki Baento, Kung Paano ako naging Leading Lady, Lambert de Jesus, Last Ten Minutes, Lawrence Fajardo, Layeta Bucoy, Legal Wife, lesbian, lesbianism, Letters from a Closet, LGBT, liberalism, Liesel Batucan, lion, Liza Magtoto, lohika ng isang sistema, long term relationship, love, Machismo, macho, Magna Carta for Women, Magna Carta para sa Kababaihan, maka-tao, makabayan, Mambo Italiano, Mapagbirong Haplos, Marco Viaña, Mario Mendoza, Marlon Rivera, Mayen Estanero, Maynard Manansala, Meann Espinosa, Meila Romero, Melvin Lee, memory play, Migrante International, migrasyon, migration, mirasol, Miss Universal Empress 2045, Miss Universe, modern hero, morality, motel, Ms. Cyberspacial Queen, Ms. Globalflower, Ms. Multinational, Ms. Ultranational, National Commission for Culture and the Arts, national hero, nationalism, NCCA, Noemi Manikan Gomez, Nor Domingo, OBR, OCW, OFW, one billion rising, one-act play, online violence, Only Torres, Opaline Santos, Other Woma, OWWA, Pag-ibig, Pambansang Komisyon ng mga Kultura at Sining, Pantas, patriarchal, patriyarkal, peace and order, peaceful death, people's art, Philippine theater, Playwriting, police brutality, postmodern, poverty, privatization of Philippine hospitals, promiscuity, proyektong pangkaunlaran, R.I.P., RA 9262, Randy Villarama, rape, rationality, Raya Laplana Sa Lilim, Raymund Reyes, realism, Rem Zamora, Roeder Camanag, Roobak Valle, Sa Isang Hindi Natatanging Umaga at ang Ulap ay Dahan-Dahang Pumaibabaw sa Nabubulok na Lungsod, Sa Pagitan ng Dalawang Kahong Liham, Sarah Salazar, satire, satirika, sekswalidad, self discovery, self-destruction, senate hearing, sex, sex video scandal, sexuality, Sherry Lara, socialism, solidarity, suicide, sunflower, Superhero, surrealism, Tami Monsod, Tanghalang Huseng Batute, Tanghalang Pilipino, The Missing Peace, The Writer’s Bloc, theater review, Tipping the Velvet, TNT, Tokyo, tomboy, Topper Fabregas, tragedy, tragicomedy, Tuxqs Rutaquio, Uleb Nieto, undocumented Filipino migrants, UZ Eliserio, VAWC, Violence Against Women and Children, Virgin Labfest, virtual violence, VLF 2013, VLF 2014, Wenah Nagales, Wendy Wants to be a Housewife, world peace, Yong Tapang
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Pasinaya ng mga Dula 2013: Tao, Tahanan at Tanikala
Sa unang lingo ng Pebrero, umapaw sa sining ang Sentrong Pangkultura ng Pilipinas (CCP). Umapaw din ito sa tao, bata man o matanda, may pera man o wala: isang pambihirang pangyayari bagamat sinasabi ng pamahalaan na buong taon ay hindi … Continue reading
Posted in Rebyu, Teatro
Tagged 1984, @Home, Allegorical Play, Ang Haunted House sa Ilalim ng Papaya Tree, Ang Mahiwagang Kuba, Armed Forces of the Philippines, Art, art auction, Art for the People, Arts Month, Asian theater, Ayala, Bahay Tsinoy Museum, Batalya ni Prinsipe Alvaro at Prinsipe Rodante, batas militar, By a Lady, capitalism, Catholic conservatism, CCP, children's theater, children’s play, China, Chinese Mestizo, Co Yu Hwan, Communist Party of the Philippines, Compostela Valley, Contemporary art, contemporary dance, Corazon Aquino, Corazon Cojuangco, Cultural Center of the Philippines, dance monologue, dance theater, De La Salle College of St. Benilde, desaparesidos, discrimination, Divorce Law, domestic play, dream play, Dulaang Filipino, dulang Pilipino, EJK, extra-judicial killings, Filipino, fliptop, food security, Gangnam Style, gender study, globalization, Google Earth, Greek play, hip-hop, Hongjian, horror-tragedy play, human rights, Huse Batute, Iloilo Prima Galaw, incest, Jack and the Beanstalk, JK Anicoche, Joey Paras, Jose Rizal, Kid Acts Philippines, King Oedipus, Kolab Co., Komedya, Kung Fu Panda Style, laboratory theater, Lipa Actors Company, Lola Basyang, Lola Basyang: Ang Mahiwagang Kuba, Lumad, Marag Valley, Marcos martial law, Marriage Equality, Mga Komedyante ng San Dionisio Parañaque, migrant workers, migrante, migration, Moro play, moro-moro, musical, NPA, OFW, Ony Carcamo, oplan bayanihan, Partido Komunista ng Pilipinas, Pasinaya 2013, people's art, PETA, Philippine, Philippine theater, Philippines, Play the Judas, political prisoners, Political Theater, Pres. Benigno Aquino III, proletarian theater, protest art, psy-war, psychological play, puppet show, rap, RH Bill, Right to Privacy, security of tenure, self-destructive weapon, Sipatlawin Ensemble, social media, Sophocles, Tanghalang Ateneo, Teatro Expedicion de Filipinas, Tsinoy, Typhoon Pablo, Untitled, Violence Against Women Act, women’s emancipation, women’s struggle
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