Joanna Lerio
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Tag Archives: play within a play
Marat/Sade, a Classic Sample of Theater of Cruelty and angst not merely gone mad
Freedom, freedom, freedom! Long live the revolution! My heart and the chairs are on fire. Despite its anarchaic ending, my democratic feelings just got high after watching Marat/Sade in its DVD form. I share this rather innate sentiment with awareness … Continue reading
Posted in Rebyu, Teatro
Tagged Abbé de Coulmier, Adrian Mitchell, Aldwych Theatre, anti-monarchy, anti-poor education policies, Antonin Artaud, Apocalypto, Benedict Fitzgerald film, Berlin, Bertolt Brecht, Black Protest Week, British theater, CAL College of Arts and Letters, Catholic church’s brutality, cchaotic order, Charenton, Charlotte Corday, Corday, Death of Marat, defamiliarization effect, Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, Donatien Alphonse François, Doug Wright, DSCTA, Dulaang UP, education budget, European Theater, Farhad Safinia, freedom, freedom of expression, French Revolution, Geoffrey Rush, Geoffrey Skelton, Germany, Girondists, Glenda Jackson, human rights, human violence, Ian Richardson, investigative art, Jacobin Club, Jacques-Louis David, Joaquin Phoenix, karapatang pantao, La Mort de Marat, Marat, Marat/Sade, Marie-Anne Charlotte de Corday d'Armont, Marquis, Marquis de Sade, martial law, master’s class, Mel Gibson, Modern Theater, national democracy, neo-classical painting, nihilistic art, organized chaos, Parisian, Patrick Magee, Peter Brook, Philip Kaufman, Philippine Polytechnic University, Philippine youth movement, play within a play, poetic dialogue, political repression, Pres. Benigno Aquino III, Prof. Jose Estrella, psychological play, PUP, Quills, Royal Shakespeare Company, Sciller Theater, SCUs, Simonet de Coulmier, Sta. Mesa, State Colleges and Universities, surreal play, surrealism, The Death of Marat, The Passion of the Christ, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, theater between two world wars, Theater History, Theater of Cruelty, tuition hikes, University of the Philippines, UP Diliman Department of Speech Communication and Theater Arts, utopia, Verfremdungseffekt, western Theater
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