Joanna Lerio
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Tag Archives: Political Theater
KADAMAY with Urban Poor Resource Center of the Philippines restages Nanay Mameng
Script by Amanda Echanis Direction by Edwin Quinsayas and Noel Taylo A production of Kalipunan ng Damayang Mahihirap (KADAMAY) and Urban Poor Resource Center of the Philippines in collaboration with Miriam College and grant from the Philippine National Commission for Culture and the … Continue reading
Posted in Pagtatanghal
Tagged 37th Gawad Urian, ABS-CBN, Adjani Arumpac, Alay Sining, Alexis Ritual Betito, Amanda Echanis, Bagong Bayani, Bonifacio Ilagan, Carmen Deunida, CENPEG, CHD, Confederation for Unity Recognition and Advancement of Government Employees, COURAGE, Documentary Film, Documentary play, Dr. Paz Adriano Hall, dulang Filipino, Edwin Quinsayas, Eshei Mesina, Google, Google Scholar, Hermie Conception, Jane Balleta, Jeffrey Ramos, Jennifer Dabu, Joel Zerrudo III, KADAMAY, Kalipunan ng Damayang Mahihirap, KARATULA, Katsch Catoy, Kodao Productions, Maalaala Mo Kaya, Manila, Melchora Aquino, Miriam College, Nanay Mameng isang dula, NCCA, NCCA Committee on Dramatic Arts, Noel Taylo, Orosman at Zafira, philHealth, Philippine heroes, Philippine National Commission for Culture and the Arts, Philippine struggle, Philippine theater, Philippines, Piketlayn ng Bayan, Political Theater, postmodern, poverty, protest theater, Quezon City, Rae Red, Rosa Rosal, Rowena Bayon, Ryan Murillo, Sheryll Villamor Ceasico, SINAGBAYAN, social justice, Sta. Mesa, Tandang Sora, Tanghalang PUP, Tao Aves, Tess Dioquino, UCCP, United Church of Christ in the Philippines, University of the Philippines, University of the Philippines Diliman, UP Diliman, urban poor Philippines, Urban Poor Question, Urban Poor Resource Center of the Philippines
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Toppling Down the Doñas: Scenes from Sinagbayan Lakbay Sining 2013
‘Ako si Paeng’ Carabao Pose. Children of Bulacan imitate their best-friend Paeng, a carabao donated to their community by Anakpawis Partylist office of Rep. Rafael Paeng Mariano. From Caloocan, Dalandanan in Tungkong Mangga, San Jose del Monte, Bulacan lies just … Continue reading
Posted in Advocacy, Awit at Musika, Palihan, Teatro
Tagged Advocacy Theater, agricultural revolution, agriculture, Anakpawis, Anakpawis Partylist, anino, Araneta, Araneta Avenue, Araneta Clubhouse, Araneta Coliseum, Araneta family, Art for the People, Asian agriculture, Asian music, Asian theater, Batangas, Binangonan, Bulacan, Calatagan, Caloocan, CARP, Central Luzon, children's theater, Cubao, cultural revolution, cultural work, Dalandanan, Fairview, GARB, Gateway, Gawad Kalinga, gawaing pangkultura, Gregorio Araneta, Hacienda Araneta, Hacienda Luisita, HB 3059, House Bill 3059, housing problem, human rights violation, ILPS, karapatang pantao, karilyo, Lakbay Sining, land problem, landgrabbing, magsasaka, Manila, mendiola massacre, Metro Manila, MRT 7, National Housing Authority, NHA, October lakbayan, organic farming, PAMALAKAYA, PAN-AP, peasant youth, people's art, Philippine Election 2010, Philippines, pocket demolition, Political Theater, politics of change, Pres. Benigno Aquino III, protest art, protest music, protest theater, Quezon City Office of Urban Planning, rebolusyong agraryo, Rep. Rafael Paeng Mariano, Rizal, Robert Cing, rural poor, Samahang Magsasaka sa Dalandanan, San Jose del Monte, shadow play, SIBAT, SINAGBAYAN, social change, Talim Island, Tarlac, tunay na pagbabago, Tungkong Mangga, urban poor, voter’s education
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Pitong Sundang: Ang Magsasaka Bilang Napapanahong Bida
Review of Pitong Sundang Tanghal 7 Entry Buong malay na isinatauhan ang konspetong ito sa Pitong Sundang: Sayaw sa Lupa at Pakikibaka, isang sayaw-dulang produksyon ng pangkulturang organisasyong SINAGBAYAN (Sining na Naglilingkod sa Bayan) kung saan tampok ang tula nina Ericson … Continue reading
Posted in Rebyu, Teatro
Tagged AFP, agrarian reform, agrarian revolution, Alan Jazminez, Alay Sining, Anakpawis Partylist, ancestral domain, Anglo-American, animation, Asian theater, balang, Batangas, BHP Billiton, Bondoc Peninsula, bukang-liwayway, Bulwagang Balagtas, CARP, cheap-labor factory zones, classical ballet, colonization, Comprehensive Agrarian Reform Program, contemporary dance, CSWCD, daga, dam, delubyo, dislocation, dream sequence, encomienda system, epic, Ericson Acosta, feudal system, feudalism, food security, Free Ericson Acosta Campaign, GARB, Genuine Agrarian Reform Bill, golden kuhol, Hacienda Looc, Hacienda Luisita, hacienda system, Holy Family, Hongkong Baptist University, House Bill 3059, human rights violations, hunger, Iggy Rodriguez, Igorot, indigenous people, intellectuals, Jewel Maranan, journey, Katch Catoy, Lafayette, land reform, large-scale mining, leech, linta, Lumad, lupa, MassCom Media Center, mercenary tradition, Metro Manila, Moro, Morong 43, Muslim, National Commission for Culture and the Arts, national democracy, National University Theater Festival, NCCA, NCIP, OceanaGold, olf course, open forum, oplan bayanihan, party pilipinas, patrimony, peasant arts, peasantry, performance art, Phelps Dodge (US), Philippine theater, Philippines, piketlayn, pitong sundang, Pitong Sundang dance theater, pocket demolition, Poldet: Panata sa Kalayaan ng mga Detenido Pulitikal, political detainees, political prisoners, Political Theater, poverty, Pres. Benigno Aquino III, prologue, protest theater, PUP Sta. Mesa, Quezon, Raquel de Loyola, reality tv, Reuel Aguila, Review of Pitong Sundang, rice rat, Samar, SINAGBAYAN, St Exposure, Standard Hindi, struggle for land, subdivision, Sumitomo, surreal theater, Talahib, Tandang Sora Hall, Tanghal 7, Tanghal 7 NCR, Tarlac, torture, United States, University of the Philippines Diliman, USA Liberty, virtual reality, welga, World Trade Organization, Xstrata (UK), youth sector
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Pasinaya ng mga Dula 2013: Tao, Tahanan at Tanikala
Sa unang lingo ng Pebrero, umapaw sa sining ang Sentrong Pangkultura ng Pilipinas (CCP). Umapaw din ito sa tao, bata man o matanda, may pera man o wala: isang pambihirang pangyayari bagamat sinasabi ng pamahalaan na buong taon ay hindi … Continue reading
Posted in Rebyu, Teatro
Tagged 1984, @Home, Allegorical Play, Ang Haunted House sa Ilalim ng Papaya Tree, Ang Mahiwagang Kuba, Armed Forces of the Philippines, Art, art auction, Art for the People, Arts Month, Asian theater, Ayala, Bahay Tsinoy Museum, Batalya ni Prinsipe Alvaro at Prinsipe Rodante, batas militar, By a Lady, capitalism, Catholic conservatism, CCP, children's theater, children’s play, China, Chinese Mestizo, Co Yu Hwan, Communist Party of the Philippines, Compostela Valley, Contemporary art, contemporary dance, Corazon Aquino, Corazon Cojuangco, Cultural Center of the Philippines, dance monologue, dance theater, De La Salle College of St. Benilde, desaparesidos, discrimination, Divorce Law, domestic play, dream play, Dulaang Filipino, dulang Pilipino, EJK, extra-judicial killings, Filipino, fliptop, food security, Gangnam Style, gender study, globalization, Google Earth, Greek play, hip-hop, Hongjian, horror-tragedy play, human rights, Huse Batute, Iloilo Prima Galaw, incest, Jack and the Beanstalk, JK Anicoche, Joey Paras, Jose Rizal, Kid Acts Philippines, King Oedipus, Kolab Co., Komedya, Kung Fu Panda Style, laboratory theater, Lipa Actors Company, Lola Basyang, Lola Basyang: Ang Mahiwagang Kuba, Lumad, Marag Valley, Marcos martial law, Marriage Equality, Mga Komedyante ng San Dionisio Parañaque, migrant workers, migrante, migration, Moro play, moro-moro, musical, NPA, OFW, Ony Carcamo, oplan bayanihan, Partido Komunista ng Pilipinas, Pasinaya 2013, people's art, PETA, Philippine, Philippine theater, Philippines, Play the Judas, political prisoners, Political Theater, Pres. Benigno Aquino III, proletarian theater, protest art, psy-war, psychological play, puppet show, rap, RH Bill, Right to Privacy, security of tenure, self-destructive weapon, Sipatlawin Ensemble, social media, Sophocles, Tanghalang Ateneo, Teatro Expedicion de Filipinas, Tsinoy, Typhoon Pablo, Untitled, Violence Against Women Act, women’s emancipation, women’s struggle
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Elevator Action: No Reset. No Extra Life (Review)
Hindi ako pamilyar sa kung anu-anong nagsusulputang palarong birtuwal bagamat batid ko ang paglipana ng maraming computer game, maging ang pagkahumaling dito ng maraming kabataan. Tiyak mayamang-mayaman na ang pinakaunang nagpauso ng computer game sa deka-dekadang adiksyon dito ng … Continue reading
Panunuring Pampanitikan: Pagmumuni-muni ng Ikatlong Inang Laya
Unang Araw sa Panunuring Pampanitikan ng Pilipinas Klase ni Dr. Teresita Maceda Noong nilisan ang Maynila at naglalakadlakad, hindi ko mawari kung bakit bakasyon na bakasyon ay panitikan pa rin ang nasa isip ko. Kunsabagay, panitikan ang bumubuhay sa akin. … Continue reading
Posted in Awit at Musika
Tagged Albert Memmi, batas militar, capitalism, Crisanto Evangelista, dulang politikal, Edward Said, human rights, imperialism, karapatang pantao, kritisismo, Leo Tolstoy, literary criticism, martial law, Marxism, panitikan, Political Theater, protest art, Social Sciences
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Script for Mangyan Day 2011: Mangyan Noon, Ngayon at Bukas
Isinulat ni Joanna Lerio Ang script na ito ay nabuo mula sa ginanap na workshop sa kultura at sining pangteatro noong Marso-Abril 2011 sa kolaborasyon ng Integrated Development Program for Indigenous People (IDPIP) at HAGIBBAT, pederasyon ng Mangyan sa Mindoro para sa … Continue reading
Posted in Palihan, Teatro
Tagged Alangan, ambahan, ancestral domain, arts workshop, Bangon, Buhid, cultural caravan, cultural diversity, cultural work, dula, dulang politikal, gawaing pangkultura, Gubatnon, HAGIBBAT, Hanunuo, human rights, IDPIP, indigenous people, karapatang pantao, katribu partylist, katutubong Pilipino, land, Mangyan, mangyan day, Mangyan peoples, militarization, Mindoro, pambansang minorya, Philippine indigenous theater, Political Theater, southern tagalog, Southern Tagalog Cultural Network, Tadyawan
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Mangyan Cultural Caravan for Mangyan Day 2011
As a cultural-exchange workshop output, Mangyan children and youth organized by tribal alliance HAGIBBAT-Mangyan Mindoro presented Mangyan Kahapon, Ngayon at Bukas in a cultural caravan in Mindoro. It is a play about Mangyan people’s life and struggle for ancestral domain, … Continue reading
Posted in Palihan, Teatro
Tagged ambahan, CAP, caravan, children, Community Theater, cultural work, dula, festival, gawaing pangkultura, HAGIBBAT, indigenous people, katutubong Pilipino, land, Linangan ng Kulturang Pilipino, Mangyan, Mangyan Day 2011, pambansang minorya, PHSA, Political Theater, sining, STCN, theater
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Mangyan Day 2011: Portrait of Mangyan in a Festival
Government says Mangyan of Mindoro are not at all forgotten by the state with the outpour of festivals, competitions, street dancing and parades created for them and vouched by the Department of Tourism and local government units. For years, indigenous … Continue reading
Posted in Advocacy, Palihan, Teatro
Tagged 1904 St. Louis Exhibit, Abra de Ilog, Agusan Petroleum, Akbaye, Alangan, ambahan, American colonization in the Philippines, ancestral domain, Aplake, Apo Iraya Festival, Apocalypto, Bangon, Bikolano, Bisaya, Buhid, CADT, CAFGU, Calapan, CALT, CAP, caravan, CCP, Certificate of Ancestral Domain Title, Certificate of Ancestral Land Title, Community Theater, Concerned Artists of the Philippines and Philippine High School for the Arts, Cultural Center of the Philippines, cultural work, Daniw, De Galera Fest, Dean Worcester, DENR-NIPAS, Dugoy Festival, dula, dulang politikal, El Niño, farm rat, festival, gawaing pangkultura, gecko, Gloria Macapagal Arroyo, Gubatnon, HAGIBBAT, Hagtaynan, Hanunuo, herbal medicine, Human Right, human rights, human rights violation, Huwis, Ilokano, indigenous people, Indigenous Peoples Rights Act, Intex Resources, IPRA, Iraya, Jonas Baes, Jovito Palparan, Kaaldawan Iraya, Kapakyanan Festival, karapatang pantao, katutubong Pilipino, Kuyay, land, Linangan ng Kulturang Pilipino, lupa, lupang ninuno, Mangyan, Mangyan ALARM, mangyan day, Mangyan peoples, Mansalay, Mayan Civilization, Mindoro, Mindoro Occidental, Mining Act of 1995, Moro, National Integrated Protected Area System, NGOs, Non-governmental organization, Nostalgia in a Denuded Forest, Onding, pambansang minorya, Pamugu-an Festival, performance art, Philippines, PHSA, Pinamalayan, Pitkin Ltd., Political Theater, Roxas, Sablayan, San Jose, Sanduguan Festival, SINAGBAYAN, snake, social justice, Socorro, southern tagalog, Southern Tagalog Cultural Network, Spanish colonization in the Philippines, STCN, Sulyog Festival, Tadyawan, Tagalog, Talahugsay, theater, Umpot, US benevolent assimilation, US imperialism, USA, Victoria, vulture, Yucatec Maya
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Salinlahi Children’s Collective: I am a Child of a Fighter
Salinlahi Foundation Children’s Collective performed in Mendiola a touching skit about being a child of modern crisis for the commemoration of the 100th Declaration of International Women’s Day led by Gabriela-Philippines last March 8, 2011. … Continue reading
