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Tag Archives: Red Mansueto
Baguio Chronicle: Gallery of Contemporary Art 2 (Bencab Museum)
BenCab’s collection at Bencab Museum Works Ged Alangui, Leonard Aguinaldo, Igan d’ Bayan, Roland Bay-an, Bencab, Benji Bisaya , Joel Welbart Bartolome, Elmer Borlongan, Santiago Bose, Cawaon Cablog, Froilan Calayag, Norberto Carating, Joey Cobcobo, Daniel Dansoy Coquilla, Aba Dalena, Antipas … Continue reading →
Posted in Biswal
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Tagged Aba Dalena, Alfredo Esquillo, Ang Kiukok, Antipas Delotavo, Arturo Luz, Baguio City, BenCab, BenCab Museum, Benguet, Benhur Villanueva, Benji Bisaya, Bosch, Carlo Saavedra, Cawaon Cablog, Cesar Legaspi, Claude Tayag, contemporary art Philippines, Cordillera artists, Daniel Dansoy Coquilla, Dexter Sy, Elmer Borlongan, Emmanuel Garibay, Etruscan, Filipino Artists, Filipino visual arts, Froilan Calayag, Gano, Ged Alangui, Gouache, horse whispering, Igan d’ Bayan, indigenous people, Israel Noi Gonzales, James Gabito, Jerusalem, Joel Welbart Bartolome, Joey Cobcobo, Joey Simsim, John Frank Sabado, Jonathan Olazo, Jordan Mang-osan, José Tence Ruiz, Jose Joya, Jose Santos III, Joy Mallari, Junyee, Justin Nuyda, Kalinga Warriors Tatoo, Karen Flores, Kawayan de Guia, Leonard Aguinaldo, Lirio Salvador, Lynard Paras, Marina Cruz Garcia, Mark Dungaw Tandoyog, Mark Justiniani, Mata, Medieval art, New Year, Norberto Carating, Norberto Roldan, organic art, Oro, peasant art, Philippine sculpture, Philippines, Phyllis Zaballero, Plata, Popo San Pascual, portrait of workers, proletarian art, Raffy T. Napay, Ramon Orlina, red dress, Red Mansueto, religious art, Robert Villanueva, Roberto Feleo, Roger Rishab Tibon, Roland Bay-an, Romeo Rosete, Ronald Ventura, Sagada, Sagada Mountain Province, Santiago Bose, sining biswal, Terracota, Tony Leaño, Tony Twigg, totem pole, US imperialism, Victorio Edades, William Gaudinez, Willy Magtibay, Winner Jumalon
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Baguio Chronicle: Gallery of Contemporary Art 1 (Bencab Museum)
BenCab’s collection at Bencab Museum Works Ged Alangui, Leonard Aguinaldo, Igan d’ Bayan, Roland Bay-an, Bencab, Benji Bisaya , Joel Welbart Bartolome, Elmer Borlongan, Santiago Bose, Cawaon Cablog, Froilan Calayag, Norberto Carating, Joey Cobcobo, Daniel Dansoy Coquilla, Aba Dalena, Antipas … Continue reading →
Posted in Biswal
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Tagged Aba Dalena, Alfredo Esquillo, Ang Kiukok, Antipas Delotavo, Arturo Luz, Baguio City, BenCab, BenCab Museum, Benguet, Benhur Villanueva, Benji Bisaya, Bosch, Carlo Saavedra, Cawaon Cablog, Cesar Legaspi, Claude Tayag, Cordillera artists, Daniel Dansoy Coquilla, Dexter Sy, Elmer Borlongan, Emmanuel Garibay, Etruscan, Filipino Artists, Filipino visual arts, Froilan Calayag, Gano, Ged Alangui, Gouache, horse whispering, Igan d’ Bayan, indigenous people, Israel Noi Gonzales, James Gabito, Joel Welbart Bartolome, Joey Cobcobo, Joey Simsim, John Frank Sabado, Jonathan Olazo, Jordan Mang-osan, José Tence Ruiz, Jose Joya, Jose Santos III, Joy Mallari, Junyee, Justin Nuyda, Kalinga Warriors Tatoo, Karen Flores, Kawayan de Guia, Leonard Aguinaldo, Lirio Salvador, Lynard Paras, Marina Cruz Garcia, Mark Dungaw Tandoyog, Mark Justiniani, Mata, Medieval art, Norberto Carating, Norberto Roldan, organic art, Oro, peasant art, Philippine sculpture, Plata, Popo San Pascual, portrait of workers, proletarian art, Raffy T. Napay, Ramon Orlina, red dress, Red Mansueto, religious art, Robert Villanueva and Phyllis Zaballero, Roberto Feleo, Roger Rishab Tibon, Roland Bay-an, Romeo Rosete, Ronald Ventura, Santiago Bose, sining biswal, Terracota, Tony Leaño, Tony Twigg, totem pole, US imperialism, Victorio Edades, William Gaudinez, Willy Magtibay, Winner Jumalon
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