Joanna Lerio
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Tag Archives: surrealism
Theater Review: Usapang Buhay sa Virgin LabFest 10 (The Harvest)
Produksyon ng The Writer’s Bloc, Cultural Center of the Philippines, Tanghalang Pilipino sa suporta ng Pambansang Komisyon ng mga Kultura at Sining na ginanap sa Tanghalang Huseng Batute – CCP noong Hunyo 25 – Hulyo 6, 2014. Ang rebyung ito … Continue reading
Posted in Rebyu
Tagged 1745 prophecy, Acting, aggressive development project, Alison Segarra, Allan Lopez, Ang Goldfish ni Prof. Dimaandal, Ang Naghihingalo, Ang Pamamanhikan, Annulment in the Philippines, Anonymous, Anti-Violence Against Women and their Children Act, Asian theater, Audie Gemora, Bago Ilibing, bakla, bayani, bayanihan, Bernadette Neri, Bernardo Bernardo, Betang, bilog, blackmail, Bong Cabrera, booking, boy to boy, Brecht, butcher, Canada, career woman, Carlo Olvido, Carlo Vergara, CCP, Ces Quesada, character sketch, chatting, Chino Veguillas), Chris Martinez, Chris Millado, Comedy, coming of age, congress session, contemporary theatre, corporate life, corruption, Cris Pasturan, Crispin Pineda, Cultural Center of the Philippines, cultural work, Delphine Buencamino, Denisa Reyes, Dennis Marasigan, Devising Theater, Dingdong Novenario, directing, Dolly de Leon, Domestic Helper, domestication, drug addiction, dulang eksperimental, dulang Pilipino, e-burol, E-VAW, Ed Lacson, electronic violence, electronic violence against women, Eljay Deldoc, enigmatic relationship, Exit Interview, experimental theatre, factory worker, feudal culture, Fool, funeral wake, gabi ng lamay, Gabriela, gawaing pangkultura, gender equality, gender politics, gender stereotyping, girl to girl, globalisasyon, globalization, Gorky, Hannah dela Guerra, Hayden Koh, HB 6815, health service, Herlyn Alegre, Hermie Conception, heterosexual relationship, homosexual relationship, ice cream vendor, identity, Imbisibol, incest, Insiang, internalization, Isabelle Martinez, Isang Daan, J-mee Katanyag, Japan, Jenny Jamora, JK Anicoche, Joel Saracho, Jonathan Tadioan, Joseph Matheu, Joshua So, Joy Icayan, Junjun Quintana, justice, kahirapan, kapayapaang pang-global, kapayapaang panloob, karahasan sa kababaihan, kasarian, katipunero, Katrina Halili, Katsch Katoy, katulong, Kevin Tabora, Kiki Baento, Kung Paano ako naging Leading Lady, Lambert de Jesus, Last Ten Minutes, Lawrence Fajardo, Layeta Bucoy, Legal Wife, lesbian, lesbianism, Letters from a Closet, LGBT, liberalism, Liesel Batucan, lion, Liza Magtoto, lohika ng isang sistema, long term relationship, love, Machismo, macho, Magna Carta for Women, Magna Carta para sa Kababaihan, maka-tao, makabayan, Mambo Italiano, Mapagbirong Haplos, Marco Viaña, Mario Mendoza, Marlon Rivera, Mayen Estanero, Maynard Manansala, Meann Espinosa, Meila Romero, Melvin Lee, memory play, Migrante International, migrasyon, migration, mirasol, Miss Universal Empress 2045, Miss Universe, modern hero, morality, motel, Ms. Cyberspacial Queen, Ms. Globalflower, Ms. Multinational, Ms. Ultranational, National Commission for Culture and the Arts, national hero, nationalism, NCCA, Noemi Manikan Gomez, Nor Domingo, OBR, OCW, OFW, one billion rising, one-act play, online violence, Only Torres, Opaline Santos, Other Woma, OWWA, Pag-ibig, Pambansang Komisyon ng mga Kultura at Sining, Pantas, patriarchal, patriyarkal, peace and order, peaceful death, people's art, Philippine theater, Playwriting, police brutality, postmodern, poverty, privatization of Philippine hospitals, promiscuity, proyektong pangkaunlaran, R.I.P., RA 9262, Randy Villarama, rape, rationality, Raya Laplana Sa Lilim, Raymund Reyes, realism, Rem Zamora, Roeder Camanag, Roobak Valle, Sa Isang Hindi Natatanging Umaga at ang Ulap ay Dahan-Dahang Pumaibabaw sa Nabubulok na Lungsod, Sa Pagitan ng Dalawang Kahong Liham, Sarah Salazar, satire, satirika, sekswalidad, self discovery, self-destruction, senate hearing, sex, sex video scandal, sexuality, Sherry Lara, socialism, solidarity, suicide, sunflower, Superhero, surrealism, Tami Monsod, Tanghalang Huseng Batute, Tanghalang Pilipino, The Missing Peace, The Writer’s Bloc, theater review, Tipping the Velvet, TNT, Tokyo, tomboy, Topper Fabregas, tragedy, tragicomedy, Tuxqs Rutaquio, Uleb Nieto, undocumented Filipino migrants, UZ Eliserio, VAWC, Violence Against Women and Children, Virgin Labfest, virtual violence, VLF 2013, VLF 2014, Wenah Nagales, Wendy Wants to be a Housewife, world peace, Yong Tapang
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Marat/Sade, a Classic Sample of Theater of Cruelty and angst not merely gone mad
Freedom, freedom, freedom! Long live the revolution! My heart and the chairs are on fire. Despite its anarchaic ending, my democratic feelings just got high after watching Marat/Sade in its DVD form. I share this rather innate sentiment with awareness … Continue reading
Posted in Rebyu, Teatro
Tagged Abbé de Coulmier, Adrian Mitchell, Aldwych Theatre, anti-monarchy, anti-poor education policies, Antonin Artaud, Apocalypto, Benedict Fitzgerald film, Berlin, Bertolt Brecht, Black Protest Week, British theater, CAL College of Arts and Letters, Catholic church’s brutality, cchaotic order, Charenton, Charlotte Corday, Corday, Death of Marat, defamiliarization effect, Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade, Donatien Alphonse François, Doug Wright, DSCTA, Dulaang UP, education budget, European Theater, Farhad Safinia, freedom, freedom of expression, French Revolution, Geoffrey Rush, Geoffrey Skelton, Germany, Girondists, Glenda Jackson, human rights, human violence, Ian Richardson, investigative art, Jacobin Club, Jacques-Louis David, Joaquin Phoenix, karapatang pantao, La Mort de Marat, Marat, Marat/Sade, Marie-Anne Charlotte de Corday d'Armont, Marquis, Marquis de Sade, martial law, master’s class, Mel Gibson, Modern Theater, national democracy, neo-classical painting, nihilistic art, organized chaos, Parisian, Patrick Magee, Peter Brook, Philip Kaufman, Philippine Polytechnic University, Philippine youth movement, play within a play, poetic dialogue, political repression, Pres. Benigno Aquino III, Prof. Jose Estrella, psychological play, PUP, Quills, Royal Shakespeare Company, Sciller Theater, SCUs, Simonet de Coulmier, Sta. Mesa, State Colleges and Universities, surreal play, surrealism, The Death of Marat, The Passion of the Christ, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, theater between two world wars, Theater History, Theater of Cruelty, tuition hikes, University of the Philippines, UP Diliman Department of Speech Communication and Theater Arts, utopia, Verfremdungseffekt, western Theater
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Cotabato from the Sky
Shots from the aircraft window in my Manila-Cotabato flight. More photos here. You might also want to read: Impressions of Cotabato City Old and New Cultural Exchange with T’boli Indigenous People at Lake Sebu General Santos (Gensan) by Day Siargao … Continue reading
Posted in Paglalakbay
Tagged ARMM, Awang airport, Bangsamoro, Brgy. Awang, Cebu Pacific, Cebu Pacific flight, clouds, clouds photography, Cotabato City, Filipino Muslim, impressionism, indigenous people, katutubong Filipino, landscape, Luzon, Manila, Metro Manila, MILF-GPH Framework Agreement for the Bangsamoro, militarism, militarization, military junta, Mindanao, Moro, Moro People, pambansang minorya, Panorama, peace talk, Philippine, Philippine archipelago, Philippines, photography, Princess Jacel Kiram, Sabah, Siargao, sky photography, Surigao del Norte, surrealism, T’boli
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