Tag Archives: Tess Jamias

Dulaang UP Stages Bilanggo ng Pag-ibig, based on Jean Genet’s Prisoner of Love

Posted on February 9, 2015 by Joanna Lerio

A Dulaang UP Production Script by Rody Vera based on Jean Genet’s self memoir Un Captif Amoreux (Prisoner of Love) Direction by Jose Estrella February 11 – March 1, 2015 at Wilfrido Ma. Guerrero Theater, Palma Hall, University of the Philippines Diliman … Continue reading →

Posted in Pagtatanghal | Tagged Absurd Play, Asian theater, Barbara Tan-Tiongco, Bilanggo ng pag-ibig, Brian Sy, Carlo Pagunaling, Dolly de Leon, Dulaang UP, Dulaang UP Ensemble, Ed Lacson, french playwright, J. Victor Villareal, JC Santos, Jean Genet, JM Cabling, Jojo Cayabyab, Jomel Reyes, Jon Lazam, Jose Estrella, Lex Marcos, Melvin Lee, Miela Sayo, Norbs Portales, Palestine War, Paul Cedrick Juan, Peewee O’Hara, Philippine theater, Rody Vera, Sigmund Pecho, Silvester Bagadiong, Tarek El Tayech, Tess Jamias, UP Diliman, Virgilio Balanon, Wilfrido Ma. Guerrero Theater | Leave a comment

Rebyu ng Ang Baldado ng Isla Palasan: Kanser sa Kukote ng Kolonya

Posted on March 31, 2013 by Joanna Lerio

Adaptasyon ni Joshua So ng dulang The Cripple of Inishmaan ni Martin McDonagh Direksyon ni Tess Jamias Recital ng Philippine High School for the Arts (PHSA) / Produksyong Sipatlawin sa Tanghalang Batute, Sentrong Pangkultura ng Pilipinas (CCP): Marso 10, 12 … Continue reading →

Posted in Rebyu, Teatro | Tagged 20th century Philippine theater, alternative journalism, Alyssa Herrera, American Salvation: The Fighting Epic of America’s First Guerilla Fighters, Americanism, Amerikanisasyon, Ang Kalayaan Hindi Natupad, Ang Katipunan, anti-colonial theater, Aurelio Tolentino, Ave de Rapiña, Baldado ng Isla Palasan, Balikatan Military Exercises, Bianca Mauricio, Blanche Buhia, Bryan Dilla, Carlo Gutierrez, CCP, Christine Bas, colonial mentality, consumerist culture, contemporary theater, Cultural Center of the Philippines, Cultural Imperialism, Dahas na Pilak, disentris, dulang Pilipino, dulang sedisyoso, dulang simboliko, dulang subersibo, emotional appeal, Estados Unidos, freedom, Gabriel Beato Francisco, Gracielle So, Hindi Aco Patay, Hollywood, Ian Santos, Ibong Manlulupig, imperyalismo, investigative journalism, Joshua Serafin, Joshua So, Juan Abad, Juan Matapang Cruz, Kahapon Ngayon at Bukas, Kitty Valdez, Krystle Valentino, Luhang Tagalog, Magdapio, Malaya, Mariano Martinez, marketing strategy, Martin McDonagh, Modern Theater, national democracy, Pantaleon Lopez, Pedro Paterno, Philippine High School for the Arts, Philippine theater, Philippines, PHSA, polio, pop art, popular art, post-colonial play, post-colonial theater, post-colonial theory, Pulong Pinag Lahuan, radical theater, Rafael Tibayan, seditious theater, sensationalized reporting, Sentrong Pangkultura ng Pilipinas, Sipatlawin Ensemble, Social cancer, subversive theater, Tanghalang Batute, Tanikalang Ginto, TB, Tess Jamias, The Cripple of Inishmaan, Tomas Remigio, Tubbataha Reefs, tumor sa utak, United States of America, US, US imperialism, USA, VFA, Visiting Forces Agreement | Leave a comment

Tag Archives: Tess Jamias

Dulaang UP Stages Bilanggo ng Pag-ibig, based on Jean Genet’s Prisoner of Love

Joanna Lerio

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