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RECENT POSTS
- Kilos SAMBAYANAN (Kilos para sa Sampung Batayang Pangangailangan)
- Ang Huling Nazareno (Eli Eli Lama Sabachthani), short film
- Only Women Bleed 2, Eksibit at Pagtatanghal Laban sa Karahasan
- Bai, Bayan, Kalikasan: A Group Exhibit by Women Artists
- Only Women Bleed 2, Exhibit Opening
- FILM REVIEW Alamat ng Hustisya sa Tu Pug Imatuy (The Right to Kill)
- Only Women Bleed 2, an All-Women Painting Exhibit
- Karnabal Festival 2016 – IDEA Exchange Platform
- Senate Bill 2208: An Act Creating the Department of Culture
- Artists’ Welfare Project: On Taxation, Legal Obligation and Financial Literacy
- Artists Welfare Project: Art & Fashion Fair + Membership + Social Welfare
- Art + Environment: Artists Converge in Project Bakawan Arts Festival 2015
- Ateneo School of Humanities presents Alipin, a thesis play by Ariane Lim
- 2015 Euro-Pinoy Jazz Concert at Tiendesitas and Intramuros on Feb. 20 – 21
- Dulaang UP Stages Bilanggo ng Pag-ibig, based on Jean Genet’s Prisoner of Love
- KADAMAY with Urban Poor Resource Center of the Philippines restages Nanay Mameng
- Ten Things about Dulaang UP’s Production of The Country Wife / Ang Misis kong Promdi
- FILM REVIEW Mula sa Kung Ano ang Noon (From What is Before): Ganun pa rin Ngayon
- Ipagdiwang! UP Diliman Tribute to National Artists for Music Ramon Santos and Francisco Feliciano
- DROP THE CHARGES NOW AGAINST GENASQUE ENRIQUEZ, Indigenous People’s Rights Defender
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Tag Archives: Tess Jamias
Rebyu ng Ang Baldado ng Isla Palasan: Kanser sa Kukote ng Kolonya
Adaptasyon ni Joshua So ng dulang The Cripple of Inishmaan ni Martin McDonagh Direksyon ni Tess Jamias Recital ng Philippine High School for the Arts (PHSA) / Produksyong Sipatlawin sa Tanghalang Batute, Sentrong Pangkultura ng Pilipinas (CCP): Marso 10, 12 … Continue reading
Posted in Rebyu, Teatro
Tagged 20th century Philippine theater, alternative journalism, Alyssa Herrera, American Salvation: The Fighting Epic of America’s First Guerilla Fighters, Americanism, Amerikanisasyon, Ang Kalayaan Hindi Natupad, Ang Katipunan, anti-colonial theater, Aurelio Tolentino, Ave de Rapiña, Baldado ng Isla Palasan, Balikatan Military Exercises, Bianca Mauricio, Blanche Buhia, Bryan Dilla, Carlo Gutierrez, CCP, Christine Bas, colonial mentality, consumerist culture, contemporary theater, Cultural Center of the Philippines, Cultural Imperialism, Dahas na Pilak, disentris, dulang Pilipino, dulang sedisyoso, dulang simboliko, dulang subersibo, emotional appeal, Estados Unidos, freedom, Gabriel Beato Francisco, Gracielle So, Hindi Aco Patay, Hollywood, Ian Santos, Ibong Manlulupig, imperyalismo, investigative journalism, Joshua Serafin, Joshua So, Juan Abad, Juan Matapang Cruz, Kahapon Ngayon at Bukas, Kitty Valdez, Krystle Valentino, Luhang Tagalog, Magdapio, Malaya, Mariano Martinez, marketing strategy, Martin McDonagh, Modern Theater, national democracy, Pantaleon Lopez, Pedro Paterno, Philippine High School for the Arts, Philippine theater, Philippines, PHSA, polio, pop art, popular art, post-colonial play, post-colonial theater, post-colonial theory, Pulong Pinag Lahuan, radical theater, Rafael Tibayan, seditious theater, sensationalized reporting, Sentrong Pangkultura ng Pilipinas, Sipatlawin Ensemble, Social cancer, subversive theater, Tanghalang Batute, Tanikalang Ginto, TB, Tess Jamias, The Cripple of Inishmaan, Tomas Remigio, Tubbataha Reefs, tumor sa utak, United States of America, US, US imperialism, USA, VFA, Visiting Forces Agreement
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