Joanna Lerio
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International Dance Day 2013: Xhilirate! Contemporary Dance Map 9
For over 30 years already, April 29 is celebrated as international dance awareness day. The date was declared in 1982 by the International Dance Committee of the International Theatre Institute (ITI) in tribute to French dance master and creator of … Continue reading →
Posted in Sayaw, Teatro
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Tagged 2012 Kyoto Art Center Artist-in-Residence Program, Al Bernard Garcia, Alva Noto and Shankar Ehsaan Loy, April 29, Chameleon Dance Theater, Charles Peck, Chaya Joyce Baris, Chinese classic poetry, Chinese classic text, choreography, classical ballet, Cloud Gate Dance Theatre, contemporary dance, Contemporary Dance Map 9, Contemporary Dance Network Manila, dance, Dance Criticism, Dance Forum, Dance Studies, dance theater, digital technology, domestic theme, Ensemble Rustavi of Georgia, Entry No. ____, Epilogue: Songs of the Wanderers, Feet of Clay, Filipino children’s games, Flicker, gender politics, Great Preface of The Book of Songs, Housewarming, ICT, impact of digital technology, impact of television to human growth, information age, information technology, International Dance Committee, International Dance Day, International Dance Day 2013, International Dance Day Gala, International Theatre Institute (ITI), Jean-Georges Noverre, Jun Saagundo, life and death, Lin Hsin-fang, Lin Hwai, Lin Hwai-min, Ludwig van Beethoven, Lyceum of the Philippines University Dance Troupe, Ma. Elena Laniog, Marihiko Hara, Mark Abriza, Masumi Muranaka, Matmos, Meredith Monk, Mia Cabalfin, modern ballet, Myra Beltran, Na Laro An, Pablo Vergara, performance studies, Philip Glass, Philippines, power struggles, Quezon City, Rewind, Rhosam Prudencio Jr., romance, Sarah Maria Samaniego, September 30, Soup of Grace, Stoopidgeneral, Taiwan, Transgender, University of the Philippines Diliman, UP Dance Company, Visayas Avenue, wifi body festival, William Manzano
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