Tag Archives: women studies

Only Women Bleed 2, Eksibit at Pagtatanghal Laban sa Karahasan

Posted on March 29, 2017 by Joanna Lerio

Tampok sa Only Women Bleed 2 ang obra ng limampu’t anim na kababaihang pintor na nagpapahiwatig ng expresyon at paglilimi hinggil sa nais o nilalabanang imahen ng kababaihan: ang iba’t-ibang papel na sabay-sabay niyang ginagampanan; ang mga mukha ng kagandahan … Continue reading →

Posted in Teatro | Tagged acrylic, Adam and Eve, Aisa Lerio, Aiza Joy Allid, Amy Tuknay Pascual, Andrea Torres, animation, Anti-Violence Against Women and their Children Act of 2004, Antoinette Hernaez, Arlene de Castro-Anoñuevo, Arra Javier, Art, Art of War, art talk, Arts, Azzouffe Junsay, Babae song, ballet, Bbisai Ya, Bea Padua, Bennq Zuniga, biological act, Boyet de Mesa, broken heart, CEC, Cecille Montenegro, Christelle Arroyo, coffee art, Collage, comics, Community Development, Contemporary art, Contreras Sculptures Gallery, Corazon Patarata, Corinne Salazar, Cristina Miranda Alsol, Cultural Development, cultural work, culture, Daricel Serrano, Dianne Mae Zamora, Dyna Ondoy, Elizabeth Bustamante, Ella Hipolito, enforced disappearance, Enlightenment, environment, exhibit, Extrajudicial Killings, feminism, Ferdinand Marcos, Gabriela, Gabriela Women's Party, gawaing pangkultura, gender studies, Gert Libang, Gina Francisco, Google, Grace Trinidad, Gry Gimena, Hule, human anatomy, Igorot, Inang Laya, indigenous people, International Day for the Elimination of Violence against Women, Jacklyn Moya Quintos, Jam Asuncion, Janette Calubad, Jayme Ridad, Jeanette Kamphuis, Jerelyn Donguines, Jo Balbarona, Joanna Lerio, JoannaLerioOfficial, Joanne Masing, Josephine Velasco, Julie Po, justice, KARAPATAN, Katribu, katutubo, Kay Malilong, Kayerevz Agustin, koi, kultura, Labor Day, Laiyan Laiyan, Linangan ng Kulturang Pilipino, LKP, Lorena Barros, Louie Eslao, love, Lumad, Magdalena, Mai Secuban, Maria Clara, Marivel Galang, martial law, May 1, Mayo Uno, Melanie Torres, Migrante International, migration, Mixed media, MOMA, Moro, Mother Earth, Myrna Arines, NDF, Nova Mariposque, oil, one billion rising, Only Women Bleed 2, peace, performance art, Philippine Icon, Philippines, Pinoy na Pinoy Visual Artists Association, political detainee, political prisoner, PPVAA, Precy Brady, Quezon City, Reizel Vibal, Republic Act 9262, Rhea Pareja, Rica dela Cruz, Sandra Herber, Sangreal, Sarah Mae Tario, SELDA, Shalet Llona, Sharon Cabusao, Sheryl Macawili, Si Malakas at si Maganda, Sikat Events Place, Sisa, Strods Hodreal, Tala Isla Contreras, Tandang Sora, technology, Tiboli, Tomas Morato, Trelly Marigza, Tubbataha, VAWC, Vday, Victoria Yasnaya Flores, Vida Verzoza, Violence against women, violence studies, violin, Visual arts, Vivian Limpin, watercolor, Wellainee Cachola, Wild Flower, women strike, women studies, Yolanda Cabuco | Leave a comment

FILM REVIEW Alamat ng Hustisya sa Tu Pug Imatuy (The Right to Kill)

Posted on March 16, 2017 by Joanna Lerio

… bawat pagal na hininga ay alay sa mga anak at bawat pag-aalay ay nakatuon sa hustisya. Sa kanyang bawat yapak ay humihiyaw ang lupa patungo sa kuta ng kanyang paglaya. Continue reading →

Posted in Pelikula / New Media | Tagged Agusan, American colonization, ancestral domain, Anna Pillabon, anthropology, Arbi Barbarona, Arnel Mardoquio, Art of War, Artaud, Asdang, Bai Bibiya-on Ligkayan Bigkay, bakwit, batas militar, Bathala, Brillante Mendoza, Bukidnon, Cherubim Quizon, Cinema Verite, Compostella, Cotabato, Datu Mintroso Malibato, Davao, Development Discourse, Diwata, DKK, environment, epiko, feminism, FPIC, Free Prior and Informed Consent, Gabriela, globalization, Google, human rights, Humanities Diliman, hustisya, illegal logging, indigenous people, Jong Monzon, Judith Butler, justice, kalikasan, KARAPATAN, karapatang pantao, Kilab Multimedia, kudyapi, large-scale mining, Logging Concessions, Lumad, lupang ninuno, Malona Sulatan, Manobo, martial law, militarization, Mindanao, mining, Mining Act of 1995, Misamis, Mother Earth, NDF, Netherlands, NPA, Oplan Bantay Laya, Panalipdan, Pangiyaki, Pantaron Range, Philippine revolution, Philippines, political detainees, Pres. Benigno Aquino III, Pres. Gloria Macapagal Arroyo, Pres. Rodrigo Duterte, Red Motion Media, RMP-NMR, Rural Missionaries of the Philippines Northern Mindanao Sub-Region Inc., Salinlahi, Salugpungan, Save Mindanao, SELDA, Sinag Maynila Film Festival, Sine Mindanaw, Skyweaver Productions, Spanish colonization, Stop Impunity, Stop the Killings, Surigao, Talaingod, tatoo study, Tebtebba, terrorism, Ubunay Botod Manlaon, United Nations, Utrecht, women emancipation, women studies, Yellow Kite Production | Leave a comment

Baguio Chronicle: Being Sabel at BenCab Gallery (Bencab Museum)

Posted on April 17, 2012 by Joanna Lerio

My first being of Sabel was in the dance production directed and choreographed by Agnes Locsin which had regional tours and excerpt during the 2010 National Artists Award that included Ben Cabrera. Before then, my notion of Sabel was that she … Continue reading →

Posted in Biswal | Tagged 2010 National Artists Award, Agnes Locsin, American occupation in the Philippines, Angel Locsin, animal farm, art house by the falls, art house by the mountain, Art photography, Baguio City, Ben Cabrera, Bencab Gallery, BenCab Museum, Bontoc, Contemporary art, Cordillera, costume study, Edison T. Coseteng, Erotic art, Filipino woman, gender studies, Ifugao, kalinga, organic farming, Philippine struggle, Philippines, postmodernism, Print art, Rene Guatlo, Rodel Tapaya, Sabel, Sabel character sketch, Sayaw Sabel, Spanish occupation in the Philippines, women studies | 8 Comments

Tag Archives: women studies

Only Women Bleed 2, Eksibit at Pagtatanghal Laban sa Karahasan

Baguio Chronicle: Being Sabel at BenCab Gallery (Bencab Museum)

Joanna Lerio

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